Reviewed by: Rosemarie Ute Hoffman
|Featuring:||Ice Cube, Katt Williams, Tracy Morgan, Loretta Devine, Michael Beach, Keith David, Regina Hall, Malinda Williams, [more]|
|Director:||David E. Talbert|
|Producer:||Matt Alvarez, Stacy Cramer, Ice Cube, Trae Ireland, Neil A. Machlis, Jessica McCullagh, [more]|
|Distributor:||Screen Gems (Sony)|
“Keep the faith. Steal the rest.”
“First Sunday,” a comedic film with known celebrities and all the right ingredients, has difficulty serving up greatness. Its bland story line, subplots, and overall message left me wanting more—and comparing it to the celebrated works of Tyler Perry. Despite that, the choir director Rickey (Katt Williams), has star presence, as he delivers witticism by the barrel full during typical church foolishness.
Durell (Ice Cube) finds himself in an anxious situation when his son’s mother, Omunique (Regina Hall), announces she is moving to Atlanta and taking Durell Jr. (C.J. Sanders) with her. Unrealistically, she needs to come up with over seventeen thousand dollars—a year’s worth of rent—for her hair salon within a week or she forfeits renewing her lease.
LeeJohn (Tracy Morgan) and his best friend Durrell always find themselves among corrupt circumstances—by choice, not chance. LeeJohn makes a deal with Jamaican gangsters to deliver stolen wheelchairs. The delivery goes awry when the two friends engage in a heated car chase with police. Once again, they are in front of Judge B. Bennet Galloway (Keith David) who decides to forgo sentencing jail time and, instead, orders five thousand hours of community service.
Durrell runs out of options and gives in to LeeJohn’s criminal caper—to heist the corner church, First Hope. They attempt to steal monies raised; although unbeknownst to them, someone beat them to it. Therefore, Plan B goes in full effect, with guns drawn. The choir rehearsing and those attending a meeting are held hostage. As the evening progresses, righteousness prevails where love and forgiveness flow.
Stereotypical characters are peppered throughout the screenplay, and the film lacks intensity. Yet, on two separate occasions Sister Doris (Loretta Devine) and LeeJohn break free from the mundane monotony and conjure up warm empathetic emotions.
There is moderate profanity from start to finish, including a Jamaican swear word “bumbaclot” (a cloth or rag used to wipe ones anal region or a tampon while menstruating). Sister Bernice Jenkins (Rickey Smiley) while holding one shoe rebukes a young man and suggests that Jesus come directly off the cross to save him. Tianna (Malinda Williams), the pastor’s daughter, provides eye candy with a tight low-cut dress. The most bizarre part is the appearance of a transvestite masseuse.
Biblically, laughter is good medicine, as stated in Proverbs 17:22. Furthermore, comedy pokes fun at real life releasing the stress and worries of the day. Still, sometimes the path we take to get a hardy laugh is offensive and in direct conflict with wholesome, Christian Bible-believing qualities.
Ephesians 5:1-4 NKJV, “Therefore be imitators of God as dear children. And walk in love, as Christ also has loved us and given Himself for us, an offering and a sacrifice to God for a sweet-smelling aroma. But fornication and all uncleanness or covetousness, let it not even be named among you, as is fitting for saints; neither filthiness, nor foolish talking, nor coarse jesting, which are not fitting, but rather giving of thanks.”
Conversely, two scriptures are mentioned in the film, and the necessity of prayer emphasized before a meeting by Sister Doris. These are welcome vignettes, along with the church choir praising heavenward in song.
Violence: Mild / Profanity: Moderate / Sex/Nudity: None
See list of Relevant Issues—questions-and-answers.