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La Vie en Rose also known as “My Life in Pink, “Edith Piaf,” “Piaf: Um Hino ao Amor,” “ La môme,” “Život u ružičastom,” “Berättelsen om Edith Piaf,” “Edit Piaf: rozinis gyvenimas,” “Edith Piaf - elusse armunud,” “Edith Piaf- Ha-Haim B'Varod,” “Kaldirim serçesi,” “La Vie en Rose - Berättelsen om Edith Piaf,” “La vida en rosa,” “La vida en rosa (Edith Piaf),” “Niczego nie zaluje - Edith Piaf,” “Pariisin varpunen - Edith Piaf,” “Piaf,” “Spurven,” “Zivljenje v roznatem,” “Zoi san triantafyllo,” “Édith Piaf - Ai no Sanka,” “Ζωή σαν τριαντάφυλλο,” «Едит Пиаф: Животът в розово», «Жизнь в розовом цвете»

MPAA Rating: PG-13-Rating (MPAA) substance abuse, sexual content, brief nudity, language and thematic elements.
not reviewed
Moviemaking Quality:

Primary Audience:
Adults
Genre:
Biography Music Drama
Length:
2 hr. 20 min.
Year of Release:
2007
USA Release:
April 16, 2007 (festival)
Jul 20, 2007 (wide)
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Relevant Issues
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Overcoming difficulties in life

Losing the love of one’s life to a tragic accident

The pressures of being a famous celebrity

Loving to party and abuse alcohol

Drunkenness

ADULTERY and FORNICATION in the Bible

Sustance abuse—morphine and alcohol

Prostitution

Featuring: Marion CotillardEdith Piaf
Gérard DepardieuLouis Leplée
Sylvie Testud … Mômone
Pascal Greggory … Louis Barrier
Emmanuelle Seigner … Titine
Jean-Paul Rouve … Louis Gassion
Clotilde Courau … Anetta
Jean-Pierre Martins … Marcel Cerdan
Catherine Allégret … Louise
Marc Barbé … Raymond Asso
Caroline Silhol … Marlene Dietrich
See all »
Director: Olivier Dahan
Producer: Légende Films [France]
TF1 International [France]
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Distributor: Picturehouse
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The life of Edith Piaf

Here’s what the distributor says about their film: “An un-chronological look at the life of the Little Sparrow, Edith Piaf (1915-1963). Her mother is an alcoholic street singer, her father a circus performer, her paternal grandmother a madam. During childhood she lives with each of them. At 20, she’s a street singer discovered by a club owner who’s soon murdered, coached by a musician who brings her to concert halls, then quickly famous. Constant companions are alcohol and heartache. The tragedies of her love affair with Marcel Cerdan and the death of her only child belie the words of one of her signature songs, ‘Non, je ne regrette rien.’ The back and forth nature of the narrative suggest the patterns of memory and association.”


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