Reviewed by: Raphael Vera
|Featuring:||Andrew Garfield (Anton), Christopher Plummer (Doctor Parnassus), Richard Riddell (Martin), Katie Lyons (Martin’s Girlfriend), Richard Shanks (Friend of Martin), Lily Cole (Valentina), Verne Troyer (Percy), Bruce Crawford (Face Changed Martin), Johnny Harris (Policeman), Lorraine Cheshire (Mum), Mark Benton (Dad), Lewis Gott (Diego), Sian Scott (Linda), Simon Day (Uncle Bob—as Simon Daye), Moya Brady (Aunty Flo), Charles McKeown (Fairground Inspector), Tom Waits (Mr. Nick), Kis Yurij (Second Monk), Ian A. Wallace (Third Monk—as Ian Wallace), Heath Ledger (Tony), Amanda Walker (Shopper), Joann Condon (Shopper), Carolyn Pickles (Shopper), Paloma Faith (Sally), Montserrat Lombard (Sally’s Friend), Craig Fraser (Debonaire Gent), Amy Marston (Classy Shopper #1), Gwendoline Christie (Classy Shopper #2), Lucy Russell (Classy Shopper #3), Maggie Steed (LV Woman), Ben Cartwright (Policeman #1), Gavin Rolph (Policeman #2), Bobby Bysouth (LV Woman’s Reflection), Johnny Depp (Imaginarium Tony #1), Vitaly Kravchenko (Piotr), Ray Cooper (Vladimir), Emil Hostina (Serge), Igor Ingelsman (Gregor), Sarah Groundwater (Sales Girl), Jude Law (Imaginarium Tony #2), Dean Moen (Smiling Policeman), Fraser Aitcheson (Dancing Policeman), Michael Bean (Dancing Policeman), Jason Griffith (Dancing Policeman—as Jase-Anthony Griffith), Scott A. McGillivray (Dancing Policeman—as Scott McGillivray), John Stewart (Dancing Policeman), Chris Cochrane (Dancing Policeman), Pearce Visser (Dancing Policeman), Patrick Bahrich (Dancing Policeman), Georgina Hegedos (Baboushka), Colin Farrell (Imaginarium Tony #3), See all »|
“Monty Python and the Holy Grail,” “Life of Brian,” “Fear and Loathing in Las Vegas”
|Producer:||Infinity Features Entertainment, Poo Poo Pictures, Davis-Films (as Davis Films), Grosvenor Park Productions, Parnassus Productions, Amy Gilliam, Terry Gilliam, Samuel Hadida, Robert How, Patrice Theroux, David Valleau, William Vince|
In a seedy part of present day London, England a small troop of Gypsies have setup shop as “The Imaginarium of Doctor Parnassus”. Heralded by a side show barker, Dr. Parnassus (Christopher Plummer) sits serenely as all are invited to step through a magic mirror to see their hearts desires fulfilled.
As you can imagine, the vividly surreal experiences are as vastly different as the ‘customers’ that enter; A young boy experiences a video game like world, a drunk finds himself awash in a river of liquor bottles or the amusing vision of a rich lady who is dwarfed by gigantic expensive shoes and Faberge eggs.
But behind the theatrics is a tortured soul. His only true confidant is the company’s midget Percy (Verne Troyer) who tells him that, with his daughter Valentina’s (Lily Cole) sixteenth birthday coming in only three days, he must now tell her the truth about his past.
The story he tells her goes back more than a thousand years to an original bet gone horribly wrong that he made with the Devil (Tom Waits) or Mr. Nick as he calls him. At that time he was granted immortality which he soon realized was actually a curse. A curse now compounded as the last deal he made with Mr. Nick came with a price—that of Val on her 16th birthday.
Yet, on that night, his fortune began to change. Rescuing a man hanging and left for dead under a bridge, the grateful Tony (Heath Ledger) becomes a part of the troop and soon helps them redefine the show and attract a better class of customers. Mr. Nick also returns and offers Parnasus a new wager that may yet save Val. With so little time left can Parnassus beat the Devil at his own game?
Language is an issue. The ‘s’ word is used around five times, b#### by itself and in SOB are used three times, bastard is used once and Val’s body parts are described in a vulgar fashion by a drunk. The Lord’s name is taken in vain about six times. We should keep in mind that language, once only found in “R” rated movies is now frequent in those labeled PG-13.
The sexual content is limited to Val’s near nudity after the show is reworked, and she is seen onstage as Eve with a wig of long golden tresses covering up most of her form. Val does speak to Anton (Andrew Garfield), the young barker, suggestively saying her ‘age of consent’ is coming up and is seen in underwear after a sexual tryst later that is brief and unseen.
The occult and supernatural encompass the film. There are occult like symbols on Tony’s head, monks are seen meditating on flying carpets, Parnassus uses and believes in tarot cards, and there is, of course, the over arching theme of dealing with the Devil for things such as ‘everlasting life’.
The Devil is seen as the only power in this story around which Parnassus must always be striving with. The Bible tells us that “Sarah became pregnant and bore a son to Abraham in his old age, at the very time God had promised him” (Genesis 21:3), yet from Parnassus’ immortality to the conception of his daughter Val by her then elderly mother God’s role in this film is seen as taken up by Mr. Nick.
The movie does, in some of its imagery, portray a bleakness of spirit and the loss of one’s soul is eerily portrayed as an endless trek across frozen tundra. How much worse the reality will be, for as the prophet Daniel says,
TheWord of God also teaches us that immortality is not for us here on Earth for “Just as man is destined to die once, and after that to face judgment, so Christ was sacrificed once to take away the sins of many people…” (Hebrews 9:27).
‘Imaginarium’ tackles the conflicts within man’s soul while avoiding any reference to the ultimate resolver of conflicts and redeemer of our souls, God. In this way it is a morality tale with no morals and will be a problem for those not grounded in the faith. Consider the Word of God when it teaches us,
“Finally, brothers, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable-if anything is excellent or praiseworthy-think about such things” (Phillipians 4:8).
Alcoholism plays a sinisterly pervasive part in this tale, and it is thankfully not glorified. Parnassus’ dependence on alcohol is one of the driving forces behind his growing separation with his daughter, who desperately wants to run away, as well as his own mental instability. I did appreciate this theme as it goes a long way to explaining some of the more objectionable aspects of the film.
Critics and viewers alike will probably focus on two things; the incredible visuals presented and Heath Ledger’s performance. The heights and depths of the soul during these ‘experiences’ are both breathtaking and at times horrifying to behold, almost making it worth the price of admission. Heath Ledger’s final role is filled with a nuance and expression that reminds us again that his talent will be missed. The use of Johnny Depp, Jude Law and Colin Farrell to ‘fill-in’ Heath’s role was convincingly done and added, rather than detracted, to the film.
‘Imaginarium’ is indeed a deep and thought-provoking film, but not one that most people will enjoy. Director Terry Gilliam’s films are always dark, gritty and clearly painstakingly created, and this one is no exception. While I have appreciated most of his work in the past, ‘Parnassus’ was edgier and darker than most. Not your typical film, and not for the ‘weak-spirited,’ it earns its PG-13 rating and will be appreciated more by a select few and fans of the late Heath Ledger.
Violence: Moderate / Profanity: Moderate / Sex/Nudity: Mild
See list of Relevant Issues—questions-and-answers.