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Today’s Prayer Focus

September 5

also known as “5 września,” “5 сентября,” “O Atentado de 5 de Setembro,” “September 5 - The Day Terror Went Live,” “Septiembre 5,” “Setembro 5,” “Szeptember 5.,” “П'яте вересня,” “セプテンバー5”
MPA Rating: R-Rating for language.
Moral Rating:
Moviemaking Quality:
Primary Audience: Adults
Genre: History Thriller
Length: 1 hr. 35 min.
Year of Release: 2024
USA Release: August 31, 2024 (festival)
January 17, 2025 (limited release—121 theaters)
Copyright, Paramount Pictures Corporation, a subsidiary of ViacomCBSclick photos to ENLARGE Copyright, Paramount Pictures Corporation, a subsidiary of ViacomCBS Copyright, Paramount Pictures Corporation, a subsidiary of ViacomCBS Copyright, Paramount Pictures Corporation, a subsidiary of ViacomCBS
Relevant Issues
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Setting: Munich 1972 Summer Olympics in Germany

Based on real people and a true story

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Terrorism hostage crisis

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Israeli athletes taken hostage by the Palestinian militant organisation Black September (terrorists)

About MURDER

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Broadcasters’ worldwide live coverage

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The event that forever changed media coverage and continues to impact live news today

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Ultimatum, negotiations and rescue efforts

King Hussein of Jordan was the only leader of an Arab country to denounce the attack publicly, calling it a “savage crime against civilization… perpetrated by sick minds.”

The U.S. President was Richard Nixon.

Featuring Peter SarsgaardRoone Arledge
John MagaroGeoffrey Mason
Ben ChaplinMarvin Bader
Leonie BeneschMarianne Gebhardt
Zinedine SoualemJacques Lesgards
Benjamin WalkerPeter Jennings, ABC Network
Daniel BettsDirector Swim Race
Corey JohnsonHank Hanson
See all »
Director Tim Fehlbaum
Producer BerghausWöbke Filmproduktion [Germany]
Projected Picture Works
Constantin Film [Germany]
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Distributor
Copyrighted, Paramount Pictures Corporation, a subsidiary of ViacomCBS

Here’s what the distributor says about their film: “SEPTEMBER 5 unveils the decisive moment that forever changed media coverage and continues to impact live news today. Set during the 1972 Munich Summer Olympics, the film follows the ABC Sports broadcasting team who quickly shifted from sports reporting to live coverage of the Israeli athletes taken hostage. Through this lens, September 5 provides an important perspective on the live broadcast seen globally by millions of people at the time.

At the heart of the story is Geoff (John Magaro), a young and ambitious producer striving to prove himself to his boss, the legendary TV executive Roone Arledge (Peter Sarsgaard). Together with German interpreter Marianne (Leonie Benesch) and his mentor Marvin Bader (Ben Chaplin), the story focuses on the intricate details of the high-tech broadcast capabilities of the time, juxtaposed against the many lives at stake and themoral decisions that needed to be made against an impossible ticking clock.”


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Secular Movie Critics
…Nail-Biting Docudrama… absolutely riveting account… tight 94-minute white-knuckle thriller… The acting across the board is superb, with especially Magaro…
Pete Hammond, Deadline Hollywood
…The film works equally well as a thriller and a docudrama. The historically verifiable aspects are accurate and the behind-the-scenes sequences are based on the recollections of the men and women who were there. …one of 2024’s most unlikely thrillers. It’s also one of the best movies to reach screens…
James Berardinelli, ReelViews
…Riveting and relevant… Gripping newsroom thriller… remains suspenseful to the end…
Jordan Mintzer, The Hollywood Reporter
… strong performances… a combination of electricity and dread… illustrates how journalists (and audiences) can be seduced by a thrilling story, until everything goes horribly wrong. …
Tim Grierson, Screen Daily
…finds strength in dark rooms, unlikely protagonists and moral dilemmas… with an ending that manages to deliver a quiet gut punch…
Steve Pond, The Wrap
…It’s a really smart, involving, unassumingly written picture with something of James L Brooks’ “Broadcast News” and I couldn’t help think that maybe this is the film that Steven Spielberg could have made rather than “Munich”…
Peter Bradshaw, The Guardian (UK)
…ruthlessly faithful to the facts, interweaving acres of real, contemporaneous television footage with this modern-day reconstruction, so that his actors are interacting with actual images from the era…
Bilge Ebiri, Vulture (New York Magazine)
…consistently absorbing version of what the media did right and what it did wrong…
Michael Phillips, Chicago Tribune