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Today’s Prayer Focus

Now You See Me: Now You Don't

also known as “Ahora me ves 3,” “Die Unfassbaren 3,” “Die Unfassbaren 3 - Now you see me,” “Iluzja 3,” “Insaisissable 3,” “Insaisissables 3,” “Krāpšanas ilūzija 3,” “Los Ilusionistas 3,” See all »
MPA Rating: PG-13-Rating for some strong language, violence and suggestive references.

Check back later for review coming from contributor Pamela Karpelenia within 48 hrs of releas

Moral Rating:
Moviemaking Quality:
Primary Audience: Adults Teens
Genre: Heist Thriller Sequel
Length: 1 hr. 52 min.
Year of Release: 2025
USA Release: November 14, 2025 (wide release)
Copyright, Lionsgate (Lions Gate Entertainment Corp.)click photos to ENLARGE Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.) Copyright, Lionsgate (Lions Gate Entertainment Corp.)
Relevant Issues

Illusionists / the art of illusion

Featuring
Jesse EisenbergJ. Daniel Atlas, the arrogant and ostensible leader of the Four Horsemen
Woody HarrelsonMerritt McKinney
Dave FrancoJack Wilder
Isla FisherHenley Reeves
Justice SmithCharlie
Ariana GreenblattJune
Rosamund PikeVeronika Vanderberg
Morgan FreemanThaddeus Bradley
Daniel RadcliffeWalter Mabry
Mark RuffaloDylan Rhodes
Dominic Sessa … Bosco Leroy
See all »
Director
Ruben Fleischer
Producer
Bobby Cohen
Alex Kurtzman
See all »
Distributor

“Unlock the illusion”

Copyrighted, Lionsgate (Lions Gate Entertainment Corp.)

Here’s what the distributor says about their film: “A diamond heist reunites retired Horsemen illusionists as they target dangerous criminals. The Four Horsemen return along with a new generation of illusionists performing mind-melding twists, turns, surprises, and magic unlike anything ever captured on film.”


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