Reviewed by: David Cook
CONTRIBUTOR
Moral Rating: | Extremely Offensive — Not Recommended |
Moviemaking Quality: |
|
Primary Audience: | Young-Adults Adults |
Genre: | Comedy Crime Drama |
Length: | 2 hr. 41 min. |
Year of Release: | 2019 |
USA Release: |
July 26, 2019 (wide—3,500+ theaters) DVD: December 10, 2019 |
Revisionist history / the movie’s strong alteration of historical realities
Charles Manson murders, including the murder of pregnant Sharon Tate, wife of Roman Polanski
About murder
About death
FILM VIOLENCE—How does viewing violence in movies affect families? Answer
Alcoholics / alcoholism / about drunkenness in the Bible
CELEBRITIES’ VIEWS—What do “Hollywood” celebrities believe about spiritual issues? Find out
HOLLYWOOD DISCONNECT—Why is there a disconnect between “Hollywood” and the rest of America? Answer
CHANGE HOLLYWOOD—What is being done to change the values of “Hollywood”? Answer
Featuring |
Leonardo DiCaprio … Rick Dalton Brad Pitt … Cliff Booth Margot Robbie … Sharon Tate Rafal Zawierucha … Roman Polanski, Tate’s husband Emile Hirsch … Jay Sebring, Tate’s hairdresser Timothy Olyphant … James Stacy Damon Herriman … Charles Manson Austin Butler … Charles “Tex” Watson, a central member of the “Manson Family” Dakota Fanning … Squeaky Fromme, a member of the “Manson Family” Margaret Qualley … Pussycat, a member of the “Manson Family” Lena Dunham … “Gypsy” Catherine Share, a “Manson Family” member Bruce Dern … George Spahn—rented ranch to Charles Manson Madisen Beaty … “Katie” Patricia Dianne Krenwinkel, a “Manson Family” member Victoria Pedretti … “Lulu” Leslie Van Houten, a “Manson Family” member Sarah May Sommers (Sarah Wald) … Manson Family member Daniel Callister … Manson Family member Zack Whyel … Manson Family member Sean Baker … Manson Family member Bomber Hurley-Smith … Manson Family member Damian Lewis … Steve McQueen Al Pacino … Marvin Schwarzs Kurt Russell … Randy, a stunt coordinator Zoe Bell … Randy’s wife Luke Perry … Wayne Maunder Mike Moh … Bruce Lee Scoot McNairy … Business Bob Gilbert Clifton Collins Jr. … Ernesto The Mexican Vaquero Maya Hawke … Flower Child, a “Manson Family” member See all » |
Director |
Quentin Tarantino |
Producer |
Bona Film Group [China] Heyday Films [Great Britain] See all » |
Distributor |
Columbia Pictures, a division of Sony Pictures |
I forgot I was in a theater. I was transported to a different time and place. How did they do it? Patient filmmaking. Quentin Tarantino elevated his skill and showcased his patience as a filmmaker in “Once Upon a Time… in Hollywood”—his new film about the golden era of Los Angeles. He showed patience establishing 1969 with fashion, music, and the daily way of life. He showed patience developing characters with real struggles, real ambitions, and the obstacles standing in their way. He showed patience establishing the industry of Hollywood… its fickle nature of success, the fear of failure, and the lifestyle it affords. Finally, he showed patience establishing the inevitable horror hiding behind the neon lights and marquees. This patience allowed me to become fully immersed in an unfamiliar environment, and I didn’t want to leave.
Rick Dalton (Leonardo DiCaprio) is a dwindling TV/movie star being chauffeured from one Hollywood set to another by his stunt-double Cliff Booth (Brad Pitt). Painfully, we watch Rick as he works tirelessly at his craft in his attempt to stay relevant while battling his own demons.
As Rick’s career declines, so does Cliff’s. However, Cliff seems content with his modest lifestyle and the imminent change approaching. He enjoys driving his rusted car, listening to the radio, and spending evenings with his dog. Soon, they realize Rick has new neighbors—Roman Polanski and Sharon Tate (Margot Robbie)—the hottest director in town and his wife… an up-and-coming actress.
In contrast to Rick and Cliff, their new neighbors are ascending into stardom. With this success comes star-studded Hollywood parties, fast cars, and the best restaurants—a juxtaposition to the lives of Rick and Cliff. Though their lives are on different trajectories, they are thrust together by multiple encounters with a hippy-like family led by the infamous Charles Manson. Here, fiction and history collide in a interesting and horrific tale of not-so-long-ago.
If you are familiar with the films of Quentin Tarantino, you know to expect excessive foul language, drug use, and violence… especially with a film dealing with the Manson murders. “Once Upon a Time… in Hollywood” certainly includes all of these familiar elements, but what I didn’t expect was a sweet and uplifting story told with such a controlled and mature direction. Tarantino seems to have removed his distinct, stylized flair and replaced it with homage to the movies of that era… specifically “American Graffiti” and Roman Polanski’s own “Chinatown.” I doubt that was a coincidence.
Ironically, the only times that you see the trademark Tarantino style is in the fictional, old movies and TV shows from the characters’ pasts… which is completely inaccurate to the style of that time, but a fun and clever directorial decision for this narrative.
Brad Pitt’s (“Fight Club,” “Inglourious Basterds”) performance as Cliff is subdued but complex. He looks at each day as a new opportunity. He is gentle, but his job portrays violence, and his past is checkered. He balances this dichotomy effortlessly.
Margot Robbie (“The Wolf of Wall Street,” “Suicide Squad”) sensitively interprets a real-life portrait of Sharon Tate in a way that is totally endearing. Everything about this glamorous Hollywood lifestyle is new to her. Her self-confidence is restrained, but her future is bright.
The star of the film, though, is Leonardo DiCaprio (“Titanic,” “The Wolf of Wall Street,” “The Revenant”) as Rick Dalton. His performance juggles multiple tiers of his character: 1) a delicate actor delivering inconsistent performances, 2) a self-centered, impatient alcoholic, 3) a concerned neighbor, and 4) a good friend.
This film is not for the faint of heart. The foul language is excessive in its use of the f-word, s**t, a**hole, and more. This film focuses on late 60’s fashion, so there are many shots focused on mini-skirts and bare midriffs. There is a large amount of drinking, smoking, and using drugs, plus a couple explicit moments of sex talk… but nothing is shown.
The number of scenes of violence is not as frequent as I expected in a Tarantino film, but when it happens, this violence is extreme and graphic… and, in the usual Tarantino fashion, he makes the audience laugh inappropriately during these violent moments.
Despite all the vulgarity that comes with this film and the disturbing history of Charles Manson—“Once Upon a Time… in Hollywood” tells a rather beautiful story of aspiration, kindness, and friendship. It looks at history, and it remembers the good that once was. In a time with no Internet or cell phones, people managed to stay connected. They listened to the same radio stations, gave people rides, and looked after one another.
The friendship between Rick and Cliff is genuine. They have been through thick and thin, and their bond will not be broken by the struggles they face. Have you ever worked side by side with someone to help those in need?… soup kitchen, mission’s trip, etc. For me, those bonds never die, because we see each other in our rawest element. All through the Gospels and into Paul’s writings, we learn what the disciples experienced in friendship with Jesus. As a result of following Jesus, experiencing His goodness, and facing many tribulations with Him, their faithfulness grew. Subsequently, the Word of God spread, and the number of disciples increased rapidly (Acts 6). God’s Will is perfect. He knew the disciples would find strength in friendship and fellowship, and He commands that of us today (Matthew 18:20).
“Once Upon a Time… in Hollywood” depicts a disturbing historical event, but it takes creative liberty as well. In doing so, the film finds inspiration and hope amid a horrible moment in time. For those that want nonstop action and thrills, this movie may underwhelm, but I was swept away by its charm and the way it views the world in a positive light… despite the consuming darkness.
Learn about DISCERNMENT—seek wisdom in making personal entertainment decisions
Every time you buy a movie ticket or rent a video you are in effect casting a vote telling Hollywood, “I’ll pay for that. That’s what I want.” What enables Hollywood Liberals to continually attack and mock Christian values and present immoral and even abhorent content? Money. Is some of it your money? Christian, don’t be part of the problem. Read our article
See list of Relevant Issues—questions-and-answers.
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Too many details to discuss here, but I wondered why I felt good walking out of the theater after seeing such a ridiculously bloody display. Then I read a Christian review (don’t remember where). It spoke of how the ending is like what heaven will be like. All sad things will pass away (as if the Manson murders never happened). When Rick goes over to Tate’s home, we don’t see her, we hear her voice coming from behind the large gates. The large gates open, Rick enters, and we see Tate greet him wearing a white night gown/shirt. For the violence, I imagine that to be God’s vengeance.
Obviously, the film wasn’t made from a Christian worldview, but what was on screen still left us feeling hopeful about what is to come for us. Aside from that, the friendship of the two main characters was wonderful to see. They truly cared about each other the way men should. No envy, no jealousy, no resentment. Just mutual respect.
My Ratings: Moral rating: Offensive / Moviemaking quality: 4½