Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures
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Creed III

also known as “Creed 3,” “Creed III: Efsane Devam Ediyor,” “Creed III: Rocky's Legacy,” “Krid 3,” “Tay Đấm Huyền Thoại 3,” “Trúarjátning 3,” See all »
MPA Rating: PG-13-Rating (MPA) for intense sports action, violence and some strong language.
Moral Rating:
Moviemaking Quality:
Primary Audience: Adults
Genre: Sports Drama Sequel IMAX
Length: 1 hr. 56 min.
Year of Release: 2023
USA Release: March 3, 2023 (wide release—4,007 theaters)
DVD: May 23, 2023
Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Picturesclick photos to ENLARGE Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures
Relevant Issues

Haunted by the past

Professional sports

Combat sport

Heavyweight boxers, boxing matches, world champion

African Americans

Friends become enemie—old friend turns evil

Bully

Wrongful arrest

Righteous rage, anger

Hatred

Revenge

Deaf child (hearing impaired) / Using American sign language

Guilt

Redemption

Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures Copyright, United Artists Releasing, a joint venture of Metro-Goldwyn-Mayer and Annapurna Pictures
Featuring
Michael B. JordanAdonis Creed
Tessa ThompsonBianca Creed
Jonathan MajorsDamian Anderson
Wood HarrisTony ‘Little Duke’ Burton
Phylicia RashadMary-Anne Creed
Mila Davis-Kent … Amara Creed
Jose BenavidezFelix Chavez
Selenis LeyvaLaura Chavez
Florian MunteanuViktor Drago
See all »
Director
Michael B. Jordan
Producer
Metro-Goldwyn-Mayer (MGM)
Chartoff-Winkler Productions
See all »
Distributor

“You can’t run from your past”

In 2002, Los Angeles, Adonis “Donnie” Creed sneaks out with his best friend and brother type figure, Golden Gloves champion "Diamond" Dame Anderson, to watch him compete in an underground boxing match. After Dame's victory, he tells Donnie about his aspirations to turn professional and become a world champion. During a detour at a liquor store, Donnie impulsively attacks a man named Leon, and Dame is arrested while Donnie escapes, running away from the scene.

In the present day, six years after beating Viktor Drago and three years after beating Ricky Conlan to avenge his only career defeat, Donnie has retired from boxing to focus on his wife Bianca and their 6-year-old daughter Amara, whose hearing impairment has since led the family to become fluent in American Sign Language. Donnie runs the Delphi Boxing Academy with Tony “Little Duke” Evers Jr. and is promoting his protégé, world champion Felix “El Guerrero” Chavez, in a match against Viktor Drago. While the two watch the declining health of Donnie's adoptive mother Mary-Anne, Amara aspires to become a boxer like Donnie, which gets her into trouble at school when she punches a bully.

Released from prison, Dame reconnects with Donnie and shares his desire to resume his boxing career. Donnie reluctantly invites Dame to the gym, and hires him as Chavez's sparring partner, but his presence draws scorn from Chavez and Duke as Dame is overly aggressive and hostile. Dame later visits Donnie's home, where he meets his family and recounts their time together at a group home, a story that Bianca had never heard. Privately, Dame asks for a title shot against Chavez, but Donnie declines. After Drago is attacked by an unknown assailant at a party for Bianca's record label, which casts doubt on his ability to participate in his upcoming fight, Donnie nominates Dame as Drago's replacement. Despite it being his first professional bout, Dame manages to win the unified heavyweight championship by implementing dirty tactics such as a knee and elbow, as well as targeting Chavez's shoulder, which Dame had intentionally damaged during one of their sparring sessions.

Following the match, an uneasy Donnie visits Mary-Anne, who shows him letters Dame had written to Donnie while in prison that she kept from him due to her believing that he was a bad influence. One letter contains a picture showing Dame with a fellow inmate that Donnie recognizes as Drago's assailant. Realizing that Dame planned the attack, Donnie confronts him, and Dame admits that he manipulated him into getting the title shot. Donnie is unable to open up to Bianca about his guilt over Dame, who revels in his newfound fame and publicly slanders Donnie as a fraud who turned his back on him.

Mary-Anne suffers another stroke and dies. After her funeral, Donnie confesses to Bianca about the night of Dame's arrest, revealing Leon to be the abusive caregiver in their group home before he was adopted. After Donnie attacked Leon at the liquor store, the ensuing brawl with Leon's friends caused Dame to brandish a gun. After Dame was arrested, Donnie never contacted Dame out of guilt.

Encouraged by Bianca, Donnie decides to come out of retirement and challenges Dame for the championship, which he accepts. After training with Duke and a recovered Drago, Donnie faces Dame in the “Battle of Los Angeles” at Dodger Stadium. The fight is a grueling, evenly-matched affair. In the final round, Donnie has visions of his abusive foster home and Dame's life in jail, which leads to Donnie being knocked down. He manages to just beat the count, then goes on to knock Dame out and regain the championship.

Afterward, Donnie reconciles with Dame, with both men admitting it was not the other's fault. Donnie joins Bianca and Amara in the ring in the empty stadium, where he pretends to box with Amara. As Donnie and his family leave the ring, he looks out on to the empty Dodger Stadium.

  • Violence: Heavy
  • Profane language: D*mn (3), H*ll (3)
  • Vulgar/Crude language: F-words (2) S-words (12) A** (4) N*ggers (in lyrics of song)
  • Nudity: • Woman in bikini top on poster • Cleavage • Shirtless men
  • Sex: • Couple kisses (3 or more scenes) • Implied comment about missing sex
  • Drugs/Alcohol: Drinking alcoholic beverages on several occassions
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Secular Movie Critics
…a no-frills sports melodrama that excels because of everyone’s commitment to making a great one. …“Creed III” does right with Damian what “Creed 2” did to a middling degree with Viktor Drago: It develops him as a sympathetic antagonist with a complex relationship established between him and Adonis. It’s not hard to understand Damian’s anger and resentment as he watched from behind bars his childhood friend become the famed titleholder. …[4/5]
Trace Sauveur, Austin Chronicle
…This is a humorless, dry retread of the lesser, later “Rocky” movies, a molehill of a tale for our boxing titans to climb. … rarely have the stakes felt so low in one of these movies, seldom have the plot contrivances felt so contrived… [2/4]
Roger Moore, Movie Nation
…a knockout — even without Rocky… How remarkable that these stories continue to be so gripping. …[3½/4]
Johnny Oleksinski, New York Post
…The film comes down to a draw between its flashes of brilliance and its missed opportunities. … the scenes where Donnie and Dame go to battle with one another outside the ring are far more intriguing than anything that plays out within it. …
Derek Smith, Slant
…This prodigal son’s reappearance ignites a rivalry a little Biblical and a little Shakespearean, though their macho melodrama hews most closely to the flavor of screenwriterly contrivance. …
Charles Bramesco, The Playlist
…“Creed III” gears audiences up for a fight of the century: The battle between Adonis and Damian is billed as one between an underdog and a man with nothing to lose. But the implications of those categories are murky and unsettling .…
Lovia Gyarkye, The Hollywood Reporter
…The legs look to be getting a tad shaky again with this ninth – and first Stallone-free – episode in the series. …Adonis Creed, shuffles behind the camera for a film that intersperses soapy sentiment with first-class acting duels. …[3/5]
Donald Clarke, The Irish Times
…the fight sequences are thrillingly visceral, but his [Jordan’s] weakness for cheesy montages and the film’s formulaic screenplay ensure that the picture was never going to take the franchise anywhere new. … [3/5]
Wendy Ide, The Guardian [UK]