Copyright, Screen Gems, a division of Columbia TriStar Motion Picture Group, owned by Sony Pictures Entertainment
Today’s Prayer Focus
MOVIE REVIEW

Love Again

also known as “Text For You,” “It’s All Coming Back to Me,” “Aimer à nouveau,” “Amor A Primer Mensaje,” See all »
MPA Rating: PG-13-Rating (MPA) for some sexual material and some strong language.

Reviewed by: Charity Bishop
CONTRIBUTOR

Moral Rating: Average to Offensive
Moviemaking Quality:
Primary Audience: • Young-Adults • Adults
Genre: Romance Comedy Drama Adaptation
Length: 1 hr. 44 min.
Year of Release: 2023
USA Release: May 5, 2023 (wide release)
DVD: July 18, 2023
Copyright, Screen Gems, a division of Columbia TriStar Motion Picture Group, owned by Sony Pictures Entertainmentclick photos to ENLARGE
Relevant Issues

Loss of a boyfriend due to death

What is DEATH? and WHY does it exist? Answer in the Bible

What is true love and how do you know when you have found it?

What is LOVE, for a follower of Christ? Answer

Sex, Love and Relationships
Learn how to make your love the best it can be. Christian answers to questions about sex, marriage, sexual addictions, and more. Valuable resources for Christian couples, singles and pastors.

Featuring Priyanka Chopra Jonas (Priyanka Chopra) … Mira Ray
Sam HeughanRob Burns
Russell ToveyBilly
Celia Imrie
Céline Dion … as herself
Sofia Barclay … Suzy Roy
See all »
Director Jim Strouse
Producer Screen Gems
2.0 Entertainmen
See all »
Distributor

A film based on Sofie Cramer’s novel Text for You

It’s been two years since Mira Ray (Priyanka Chopra Jonas) lost her boyfriend in a tragic accident. She’s been unable to move on, and only the persistent pestering of her sister Suzy (Sofia Barclay) has gotten her out of her parents’ house and back into her New York apartment. At Suzy’s insistence, Mira consents to one date off an Internet website, but finding the process horrifying, she picks up her phone and texts her boyfriend’s old number instead… sending messages into what she thinks is the unknown.

Except… now, the number belongs to Rob Burns (Sam Heughan), a Scottish transport working as a music journalist. The first text hits him during a power outage and startles him. He finds it strange, but ignores it. Then the texts start coming more frequently, giving him glimpses into a total stranger’s day. Fearing to answer them would be embarrassing for the other person, he becomes fascinated by this woman’s pain instead, and more than a little drawn to her soulfulness.

When she mentions where she’ll be having a date, against the advice of his friends, Rob goes there—and spots Mira at once. He just knows this is the woman texting her dead boyfriend… and he wants to get to know her. But can a relationship that started with “dead texting” really work out?

In the meantime, Rob is struggling to believe in love after a breakup of his own, and has confided the story to Celine Dion, whom his boss asked him to interview for the magazine. It’s a cute cameo for her, even if she is more singer than actress, and a lot of her songs make up the soundtrack.

Overall, this is a sweet movie with a few poignant flaws. But you have to suspend disbelief to swallow any of it. Yes, Mira is caught up in her pain, but would a modern girl really think her messages weren’t being seen by anyone else if they weren’t coming back to her as “this number has been disconnected”? (Everyone gets texts from strangers hoping to reconnect with someone they’ve lost, so we all know numbers get recycled after a few months.) And when they do fall in love, it happens within 72 hours. By the third date, Rob and Mira are sleeping together. Even if you believe people can fall in love at first sight, that’s fast.

Priyanka and Sam have cute chemistry together, and it’s fun to see him in a romantic comedy, but there’s nothing really memorable about this film other than its unique premise. It is a forgettable way to spend a couple of hours, even though it does respectfully deal with the grief of loss and show how hard it is for someone to move on after a devastating tragedy. It’s also predictable in that you know exactly what will come between them and need to be overcome before they can have their happily ever after.

Occasional bad language peppers the script, including one f-word and casual uses of sh*t. God’s name is taken in vain a few times. There’s also casual references to sex (Suzy calls it “getting the D”), and when Mira’s date finds out she isn’t interested in a one night stand, he texts someone else (“you don’t want sex, and I have to burn off all those meal calories”). She and Rob are shown “morning after” cuddled up in bed, the sheets covering anything private. We find out through her text messages that she and her finance were living together before marriage, and she sends him a couple of spicy texts (wanting to see him naked, missing him on the pillow beside her).

Q & A

What is sexual immorality?

Sexual lust outside of marriage—Why does God strongly warn us about it?

Purity—Should I save sex for marriage?

TEMPTATIONS—How can I deal with them?

Sex, Love and RelationshipsLearn how to make your love the best it can be. Christian answers to questions about sex, marriage, sexual addictions, and more. Valuable resources for Christian couples, singles and pastors.

What is true love and how do you know when you have found it?

For a follower of Christ, what is LOVE—a feeling, an emotion, or an action?

There’s a fair amount of social drinking as well, and one of Rob’s coworkers is Gay and gets hit on at a bar, before mentioning that he and this guy he just met are going to get “smashed” later together.

I enjoyed how the film dealt with grief by inviting Celine to tell the real details of her romance with her husband, and her experience with the pain of his passing. That felt more meaningful in many ways than most of the scripted lines. But it also felt a little awkward, as if her presence was a gimmick trying to make the story more believable. The writers did well in blending her into the story and making her important to it. I just wish the two main characters hadn’t fallen into bed with one another so fast.

  • Vulgar/Crude language: Moderate
  • Profane language: Moderate
  • Drugs/Alcohol: Mild
  • Sex: Minor
  • Nudity: Minor
  • Wokeism: Minor
  • Violence: None
  • Occult: None

See list of Relevant Issues—questions-and-answers.


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Secular Movie Critics
…Not even Celine Dion can save this wildly contrived rom-com from its own sadness… most of the laugh lines in “Love Again” are stale enough that even just hearing them kind of hurts your teeth, but for all of its blatant ridiculousness, this movie seldom tries to be funny. …[C-]
David Ehrlich, IndieWire
…Far-fetched romance… An old-school, straight-faced studio romance featuring five new songs from Ms. Dion, writer-director Jim Strouse’s “Love Again” is all about such healing — to the extent that if it were a book instead of a movie, it would be filed in the self-help section. …It’s a big-screen romance that aspires to making fans feel the way Dion’s music does, like their hearts can go on. …
Peter Debruge, Variety
Céline Dion is the high note of sappy romcom… works better as a vehicle for the singer than as a romance… “Love Again,” by ceding some space to the Queen of Feelings, has moments that play. I can’t say it was good, but that doesn’t mean I didn’t enjoy it. …[2/5]
Adrian Horton, The Guardian
…Man exploits a texting glitch to deceive a grieving widow, and all with the help of Celine Dion. …I’m not going to say the ridiculous and off-putting romantic text-message dramedy “Love Again” is the worst movie of the year, but it might be the most implausible film I’ve seen so far in 2023, and I’m not necessarily excluding “The Super Mario Bros. Movie,” “Cocaine Bear” and “65” from the competition. …[1½/4]
Richard Roeper, Chicago Sun-Times
…below average romcom… Given the weakness of the script…this project may have been conceived entirely as a commercial for singer Celine Dion, who co-produced and plays herself. …[D]
Andy Klein, AV Club