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    Scarlett JohanssonScarlett Johansson, age —American actress, model, singer, producer—“Fly Me to the Moon,” “Black Widow,” “Iron Man 2,” “Lost in Translation,” “The Island,” “The Prestige,” “Vicky Cristina Barcelona,” “The Avengers” franchise. Johansson was named Hollywood’s highest-grossing actress of all time (2016). • Faith: Judaism • Worldview: Progressive Liberalism (outspoken activist—and endorsed John Kerry, Barack Obama, Elizabeth Warren), Planned Parenthood activist (ardent abortion supporter)
  • Jeff BezosJeff Bezos, Founder and Chief Executive of Amazon—top Internet site and major movie, music and book distributor. Bezos owns liberal newspaper The Washington Post and is a member of the Bilderberg Group • Faith: Secularism. Worldview: Socially Liberal Libertarianism, LGBT activism and major donor

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MOVIE REVIEW

How I Killed My Father
also known as “Comment j'ai tué mon père”

MPA Rating: (“15” in United Kingdom)

Reviewed by: Mehran Mehrabanpour
CONTRIBUTOR

Moral Rating: Average
Moviemaking Quality:
Primary Audience: Mature Teen to Adult
Genre: Foreign Drama
Length: 1 hr. 38 min.
Year of Release: 2001
USA Release:
Poster art for 'Comment j'ai tué mon père
Featuring Michel Bouquet, Charles Berling, Natacha Regnier, Stephane Guillon, Amira Casar
Director Anne Fontaine
Producer
Distributor

If there is a quintessential French film, this is it. Very well measured and controlled, “How I killed My Father” sneaks up on the audience with such subtlety that we are haunted for days afterwards. It is a mesmerising film by writer-director Anne Fontaine who builds her desired effect through powerful performances from 2 of France’s leading actors—Michel Bouquet and Charles Berling.

Jean-luc (Berling) is a successful doctor with a beautiful wife whose carefully composed life begins to disintegrate on the reappearance of his long absent father, Maurice (Bouquet), whom he presumed dead. Charming and enigmatic, Maurice has just returned from Africa and needs somewhere to stay. Jean-luc puts him up, at once exposing himself to the hatred and emotional agony that he has kept buried for so long because of his fathers truancy. Jean-luc’s wife, Isa (Regnier), falls for Maurice’s charm and establishes a close bond, further enraging Jean-luc.

Initially, everything between the men is played out under restraint and courtesy. As Maurice begins to exercise more influence and control, Jean-luc feels threatened and the polite tip toeing between them is exchanged for something more sincere, more damaging. The tension is skillfully built up, and we are allowed to see just how much ruin Maurice has unintentionally bought upon his son.

The film works at a depth that forces us to participate. There are no easy answers, no black and white conclusions. Only muted colours, sealed emotions and unfulfilled relationships. This is movie making at its best, a superbly elegant charting of the repressed and turbulent emotions underpinning the bond between father and son.

In French with English subtitles.


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