Reviewed by: Jennifer Constantine
CONTRIBUTOR
Moral Rating: | Better than Average |
Moviemaking Quality: |
|
Primary Audience: | Adults Teens |
Genre: | Music Comedy Drama |
Length: | 1 hr. 40 min. |
Year of Release: | 2007 |
USA Release: |
November 21, 2007 |
Featuring |
Freddie Highmore “Charlie and the Chocolate Factory” Keri Russell “Mission: Impossible 3,” “Waitress,” “We Were Soldiers” Jonathan Rhys Meyers, Robin Williams, Terrence Howard, William Sadler, Marian Seldes, Mykelti Williamson, Leon Thomas III, Aaron Staton, Alex O'Loughlin, Jamia Simone Nash, Ronald Guttman, Bonnie McKee, Michael Drayer, Jamie O'Keeffe, Becki Newton, Tyler McGuckin, Megan Gallagher, Anais Martinez, Bilal Bishop, Michael Roderick Hammonds III, Timothy T. Mitchum, Henry Caplan, John Knox, Amy V. Dewhurst, Victor Verhaeghe, Darrie Lawrence, Sean Haberle, Jamal Joseph, Robert Aberdeen, Georgia Creighton, Joshua Jaymz Doss, Craig Johnson, Dominic Colón, Zach Page, Amma Agyapon, Adia Beckford, Dietrice A. Bolden, Dina Gardener, Luther Isler, Raymond Johnson, Joyce Walker Joseph, Willana Mack, Lamar Antwon Robinson, Talif Showers, Carlton Taylor, Yvette Bodrick, Crystal A. Elliott, Jindai Joseph, Jacquelen Singleton, Travis Veada, Jasmine Pauline Wigfall, Marc Alan Austen, Tony Galtieri, Emelie Jeffries, Steven Krietzberg, Deirdre Lorenz, Lisa Maris, Robert Myers, Greg Nutcher, Vincent James Russo, Sybelle Silverphoenix, Stream, Lev Zhurbin |
Director |
Kirsten Sheridan writer of “In America” |
Producer | Warner Bros. Pictures, Southpaw Entertainment, CJ Entertainment, Louise Goodsill, Robert Greenhut, Gabrielle Jerou, Ralph Kamp, Miky Lee, Richard Barton Lewis, Lionel Wigram |
Distributor |
“An incredible journey moving at the speed of sound”
“August Rush” is a movie about belief and the power of love. Oh, yeah, and lots of music!! Evan Taylor (Freddie Highmore) is living in a boy’s home, calmly believing not only do his parents want him, but that he is connected to them by music, and will someday be reunited with them because of the music that flows through each of them. Even when threatened and made fun of by his peers (and I use that term loosely because Evan is clearly a cut above the other boys), he refuses to deny the truth. Early on, I sensed that music could also be a symbol for God, because Evan decides that with music guiding him, he will be restored as a son and will no longer be orphaned.
In one instance, Evan is told that in order to find what he is looking for he must love music more than food, more than life, and more than himself.
Evan gets his musical abilities from Lyla (Keri Russell), his mother, a concert cellist, and Louis (Jonathan Rhys Meyers), his father, a guitarist and lyricist.
Anyone who plays an instrument or loves music will be in for a treat. Meyers own musical ability is displayed, and, had he not gone into acting, I believe he would have done just fine as a musician. Hans Zimmer and Marc Mancin put together a wonderful score that brilliantly blends both Lyla and Louis’ styles of music. Evan’s ability to hear music in everyday street sounds develops as he listens to pick up even the faintest strains of his parents’ music, in the same way a bloodhound follows a scent.
The things that I found objectionable were as follows: Louis and Lyla engage in premarital sex, although we only see them kissing. I understand people are human, but had they done things God’s way, Evan never would have been separated from them in the first place. Much of the pain and loneliness felt by the characters could have been avoided. There are a few scenes where Louis' friends are drinking and smoking. There is also moderate profanity. One use of hell, one use of piss, one use of a$$, five damns (where it is a child speaking), and one use of the Lord’s name in vain.
I was also pleasantly surprised by how God-friendly this movie was. Lyla wears a cross, Louis and other characters sing about praying, another character sings to his heavenly Father, two characters pray for Evan, and one character states that music is God’s reminder that there’s something else besides just focusing on ourselves.
The plot is a little improbable, at times, and if you are not a music lover it may be a stretch to overlook this, although, when God is the conductor, stranger things have been known to happen. Overall, it is a beautiful movie, but the language, while not excessive, serves no purpose. It struck a dissonant chord in an otherwise perfectly pitched movie.
Violence: Mild / Profanity: Moderate / Sex/Nudity: Mild
See list of Relevant Issues—questions-and-answers.
My Ratings: Better than Average / 4½