actor, writer, comedian, producer, and film director—co-creator and producer of “Seinfeld” (TV series) and “Curb Your Enthusiasm” (TV series)
Adam Brooks, Lyle Kanouse, Michael McKean, Clifford Lee Dickson, Yolonda Ross, Carolyn McCormick, Samantha Bee, Conleth Hill, Marcia DeBonis, Evan Rachel Wood, John Gallagher Jr., Willa Cuthrell-Tuttleman, Nicole Patrick, Patricia Clarkson, Henry Cavill, Olek Krupa, Ed Begley Jr., Christopher Evan Welch, Jessica Hecht, Lindsay Michelle Nader, Armand Schultz, Steve Antonucci, Marc Alan Austen, Quincy Rose, Robin Singer
|Producer:||Gravier Productions, Perdido Productions, Wild Bunch, Letty Aronson, Stephen Tenenbaum|
|Distributor:||Sony Pictures Classics|
Let me preface this review by unashamedly admitting I am a huge Woody Allen fan and believe that, if there were a cinematic hall of fame, two of his earliest films “Annie Hall” and “Manhattan” would receive immediate induction into such a prestigious hall. I have seen nearly all of his films, even some of his earlier dramatic pieces and was eagerly awaiting “Whatever Works” with a sense of cinematic naiveté that with ‘Woody’ at the helm, it had to work.
With such a provocative title it would be easy to summarize this film in one word, “doesn’t.” However, since we are talking about Woody Allen here (as well as the fact that that critique has already been penned), I will elaborate a bit.
Boris Yelnikoff, the character played by Larry David, will be very familiar to fans of ‘Curb your Enthusiasm’ and recognizable to long time fans of Allen. David is simply doing a variation that Allen himself has made an icon in his films. However, unlike the Allen Character, Boris has very little, if any, discernible sense of humor. Boris is an eccentric, New York chess teacher who vents his misanthropic philosophies to anyone who has the misfortune to cross his path.
Along this path, comes Melodie St. Ann Celestine (Evan Rachel Wood) who lands on Boris’ doorstep after running away from her Mississippi home. She has come to New York to escape her mundane (‘traditional’) life in a Southern town and her overbearing (‘Christian’) parents. She feels that Boris (easily forty years her senior) and a fresh start in ‘The Big Apple’ can save her. Although he first has reservations about letting her stay, he reluctantly gives in and eventually they end up marrying.
Into their lives come her parents from Mississippi, first her mother (Patricia Clarkson) and eventually her father (Ed Begley Jr.). Both enter Boris’ world admitting to being ‘born-again Christians,’ but, amazingly, after being proselytized to by Boris and his bohemian philosophy, both abandon their faith and give into lifestyles that will undoubtedly offend even the most open-minded Christian viewers.
Even if you ignore (which is very difficult to do) its overt attack on religion and anything traditional, the film itself is a mess. The film is little more than one diatribe after another of Boris’ venting about people and ideas that he disagrees with.
It’s one thing for a Jewish liberal to poke fun at political systems, celebrities and religion in a self-deprecating and humorous manner, but there is no humor coming from Boris, only venom against traditional and conservative groups and organizations he cannot tolerate.
Which is the biggest problem with Boris’ simple two-word mantra towards living a productive life (and this film which blatantly tries to sell it). Do ‘whatever works’ as long as ‘whatever works’ is not a traditional, conservative set of values or doctrine that hinders Boris’ notion of doing ‘whatever works.’
As ‘Christianity’ is the main target of Boris’ abusive rants, Christians will have a difficult time with this movie. Though the film contains no actual on-screen sex nor nudity, there is plenty in the way of sexually-loaded dialogue that earns the movie its PG-13 rating. There are numerous conversations about sexual infidelity, including conversations about ménage a trios, homosexuality and even sex with a sheep. In one scene, a women is in the kitchen with two male lovers, and one of them grabs her behind. She is also seen in bed with the two men. Two men kiss one another. A man who confesses to be a devout ‘Christian,’ ‘discovers’ that he is actually a homosexual and gives up his Christianity and becomes a homosexual. One character states that “God is gay” and is not implying the term means “happy,” but rather that God must be a homosexual and then goes on to argue why this is the case.
Though there is no actual nudity of any characters in the film, there is a scene which contains nudity in photos. At a photography exhibition there are large black-and-white pictures of naked bodies, and we see full frontal nudity of both men and women.
As both a Christian and a Woody Allen fan, I found this film both troubling and disappointing. As a Christian, it was troubling for all the reasons that have been mentioned, but, more than that, the film was disappointing because even without considering the offenses, it’s just not a good film in any regard. The film takes place primarily in Boris’ Greenwich Village loft and feels more like a movie adapted from a three-act stage play than an original piece designed for the silver-screen. None of the performances are remarkable, and most of the characters are merely there to allow a new person to be the recipient of Boris’ invective.
If you’re a cinema fan, if you’re a Woody Allen fan (or perhaps a Larry David fan) or have a slight interest in seeing ‘Whatever Works,’ do yourself a favor and instead go back and watch “Annie Hall,” “Manhattan,” “Hannah & Her Sisters,” or any other Woody film. Even if you’ve seen them, watch them again before spending the 92 minutes on this far too virulent film that just, well, simply does not work.
See list of Relevant Issues—questions-and-answers.