Wicked: For Good

Prequel: “Wicked” (2024)

***Warning: Spoilers for Wicked Part 1 are present in this review.***

They’ve chosen their sides, Glinda and Elphaba (aka the Witched Witch of the west). Glinda finds it absolutely foolish of Elphaba who has only dreamed of being on the Wizard’s team to now dedicate her life to fighting the Wizard. Elphaba makes it clear that she finds Glinda the foolish one for giving into her vanity and siding with a liar and a manipulator, a Wizard who has no real power and is a real danger to animals everywhere.

A year has passed and Glinda has been declared Glinda the Good. She is the symbol of hope and the future for all Ozians, particularly those in the Emerald City. Elphaba has been declared a wicked witch and has exiled herself from the Munchkins and the people of Emerald City (well, she does occasionally step in and defend animals that are abused or used for slave labor).

The thing about a rumor, especially a horrible lie, is that as it grows so do those that are affected by said rumor. Not only that but a horrible lie can turn people into something they’re not: angry, hostile and sometimes violent individuals.

As such, the people of Oz have grown fearful and extremely angry that Elphaba still lives and supposedly “out to kill the people of Oz” (why she incorrectly wants to do this is never quite explained). So, Elphaba keeps her distance but does check in with those she can trust: her sister, Nessa, Boq, Fieryo and even Glinda.

Elphaba though can’t help but try to expose the Wizard for the fraud he is, in doing so the people will take off their blindfolds. But, as the Wizard tells her, the Wizard could tell the truth till he’s blue in the face but the people won’t believe it. They believe only what they wish to hear.

Things are gonna come to a head at some point, and when they do they’re bound to be, well, WICKED.

Compared to the first “Wicked” critics have been significantly harsher with Part 2 than they were in Part 1. Critics have described Part 1 as fun and full of color, whereas part 2 is dark, depressing, and in a few moments, distressing. But there’s something film critics don’t always understand and that is the structure of a musical.

In a typical musical, as far back as even a few hundred years ago, musicals have a very unique layout. Act 1 in a musical is supposed to be uplifting and full of hope. It gets most of the catchy tunes (e.g. Defying Gravity), whereas Act 2 is meant to bring you back to reality and see what the bigger issue is. Act 1 lives in fantasy, Act 2 lives realistically. Act 2 levels up the tension, but only temporarily. It is important to remember that Act 2 wants to bring the story to a successful conclusion. A couple other schools of thought, if you will permit me…

The book, The Wonderful Wizard of Oz is over a hundred years old. As such, so many have read the books (although there are many, many sequels, so you’d be forgiven if you didn’t read all of the books). Even if you only read the first, you know what is coming, especially who Glinda becomes and what happens to the Wicked Witch of the West at the end of it all. The book has been around long enough for critics to realize that “Wicked” is, yes, an alternate explanation of the events that surrounded Glinda and the Wicked Witch of the West, but at the same time it explains how these individuals chose the paths they did and, in a sense, fills in some of the blanks that the book did not do.

At this point in the review, I will make brief comparisons between “Wicked: Part 1” and “Wicked: For Good.” Let’s start with the music…

The Music

“Wicked: For Good” reuses, successfully, themes and musical motifs that were found in “Wicked”. Apart from some creative choices by the singers, particularly Glinda and Elphaba, the music and arrangements work really nicely. The new songs that Schwartz created just for “For Good” are a hit or a miss. They don’t really add much to the film or elevate the scene, they’re just there. There are some really clever moments where the ends of songs are extended (such as “Thank Goodness” or even the “For Good” reprise) and then there are instances where the drawing out the music tends to feel forced. Overall, as this is a musical, the creative licensing works.

The Story

Whereas in Part 1 (I’m just calling the first one that) I scratched my head, and to this day I still do, on how they turned an hour and fifteen minute Act 1 into a three hour film. The explanations are out there: extended scenes, added scenes, songs are expanded upon, scenes that are overly drawn out for no particular reason. In “Wicked: For Good,” there are a handful of additional scenes (many of which work, but not all of them) that do fill in a lot of the blanks from the first. Even with a two hour and eighteen minute run time for Part 2, the pacing of really doesn’t slow down too often, which I found to be an improvement from the first Part.

My biggest pet peeve though is an unnecessary implied sex scene between Elphaba and Fieryo. As you can imagine that did NOT occur in the stage musical, and I felt that Chiu just added this because he thought it’d relieve some of the tension. No it really doesn’t, it’s just awkward and fans are asking, “Why?”

The Performances

While the performances are definitely strong in Part 1, in “Wicked: For Good,” these performances are raised to the next level: they’re more passionate, have more depth, and audiences will strongly begin to empathize with the main characters. There is one scene I just dropped my mouth during, and that is “No Good Deed.” The expression on Elphaba as she reads the Grimerie confused, scared, angry and resigned to her fate, just creates an extreme level of tension that not only I could feel, but others around me as well.

There were a few performances that fall kind of flat in “Wicked: For Good.” The first being Nessa Rose. In the stage musical she comes off as, yes, angry at her situation but not a control freak. She isn’t as bossy in the stage musical as she is in the film. She’s also more irritating in “For Good” than the first part. Additionally, it feels like she is just reading her lines to get through them while giving as little emotion as she possibly can (she is much more meaningful and strong in the first “Wicked”).

Jeff Goldblum disappoints me in the second act, particularly in one of his solo songs (one of two I might add), “Wonderful.” He’s more somber, less whimsical than on the stage musical, but I digress.

Content of Concern

OCCULTIC AND SPIRITUAL CONTENT: Obviously, magic is a huge component of this film. Even when magic is used for good, there’s a certain darkness to it—a wickedness, if you will. Indeed, all the magic we see in “For Good” is considerably darker and more distressing than what we witness in the first film. Though the magic users seem to be born with their abilities, they also use magical words and incantations to cast spells.

Thanks to a spell cast in the first film, Elphaba can fly—and she zips around Oz on a broomstick. She sometimes has visions of events happening in other locations. And we learn that she cast a spell that gave all of Oz’s monkey wings to fly, a change that the monkeys are none too pleased with.

Elphaba is determined to use magic for good, not evil, but she doesn’t really understand the magical Grimmerie. In fact, she admits she has no idea what the words printed on its pages even mean—though that doesn’t stop her from chanting them.

Nessa, Elphaba’s sister, attempts to use a spell from the Grimmerie in a moment of desperation. However, she pronounces the words incorrectly, corrupting the spell and nearly killing her intended target.

When Elphaba is in need, the Grimmerie’s pages magically turn to the spell she needs: One lifts someone into the air; two others save lives but forever transform the receivers into something else entirely—something not entirely human.

Madame Morrible has some magical ability of her own: She can control the weather.

SEXUAL CONTENT: Fiyero learns that he is engaged to Glinda when it’s announced to the masses. Glinda tells him that she and the Wizard agreed it would be best for her image to marry Oz’s prince. Fiyero’s too nice of a guy to let Glinda down, so he reluctantly agrees. But it’s clear he’s actually in love with Elphaba. Moreover, Elphie loves Fiyero, too.

The truth comes out after Glinda and Fiyero’s wedding is interrupted by a stampede of recently freed animals. Fiyero tells Glinda he’s going with Elphaba (breaking the engagement thrust upon him), and Glinda is heartbroken, believing the two have been playing her for a fool.

Fiyero and Elphaba go to Elphaba’s hideout. They kiss, caresses are exchanged, and they begin to undress. (Fiyero removes his jacket. Elphaba removes her dress, revealing a tank top/shorts combo, but then immediately pulls on a robe.) The characters sing a passionate song about making the most of the night, since it might be the only one they get. They’re kneeling on Elphaba’s bed when the camera cuts away. The next morning, they’re laying together under a blanket, Elphie still in her modest undergarments and Fiyero shirtless.

• What is sexual immorality?
• Sexual lust outside of marriage—Why does God strongly warn us about it?
• Purity—Should I save sex for marriage?

Another man breaks another woman’s heart by telling her he’s in love with someone else. A couple kiss a few times before they break up.

*** SPOILER*** A flashback shows that the Wizard was the mysterious man who had an affair with Elphaba’s mother in the first film (and that he’s her father).

VIOLENCE: The Wizard and Madame Morrible have done such a good job of inciting the people’s anger against Elphaba that most Ozians are calling for her blood. They want her dead, and mobs are formed to defeat her.

The flying monkeys are aggressive, chasing Elphie whenever she shows up on broomsticks. During one such chase, Elphaba manages to make a few monkeys crash into trees through clever flying tricks.

Emerald City’s guards try to kill Elphaba on more than one occasion. They’re cruel to the animals that the Wizard and Morrible have enslaved, using whips against them and shoving them around. And when a law forbids Munchkins from traveling without a permit, they bodily remove those people from a train. A person's heart begins to shrink.

Someone holds a few people at gunpoint, including Glinda and Elphaba (though no weapon is ever fired). He’s captured by those same guards after helping Elphaba. They hit him over the head with one of their own guns and drag him into a field to “string him up.” Elphaba sees this through a vision, watching in horror as the guards continue to beat him, clearly intending to kill the man.

A man nearly dies after a spell is mis-cast by Nessa. He bends over in pain, and Elphaba uses a different spell to save his life (though he’s never the same again). Elsewhere, Elphaba uses magic to save someone else’s life—but again, that person is never the same.

Glinda and Elphaba slap each other across the face. They then get into a scuffle, with Glinda using her wand as a staff while Elphie defends with her broomstick. Realizing they’re evenly matched, Glinda puts down her makeshift weapon and tackles Elphaba. The two grapple and smack each other in anger.

A character uses a tornado to drop a house on a woman, killing her. (We see the house swirling in the cyclone, but we don’t see the death occur.)

Dorothy from The Wizard of Oz makes a brief appearance, sent by the Wizard to kill someone. A character has the flying monkeys kidnap Dorothy, then she locks the girl in a cellar. But Dorothy is eventually freed. She and her companions throw water on someone (due to a rumor that this person’s soul is so unclean that pure water will melt her). The scene is shown in silhouette from the perspective of Glinda. And Glinda sobs as she watches her friend die a seemingly painful death. (We later learn that the character was unharmed, simply faking her death.)

A man with an axe breaks down a door and raises it against a woman, though he doesn’t take a swing. Later, he takes out his bloodlust on a female character, attempting to kill her.

A stampede of animals knocks over many wedding guests, though nobody seems seriously injured.

LANGUAGE: “Oh Shiz (a coverup for another word), “Thank Oz,” “Oh my Lord,” “Oh my Gosh”

DRUGS/ALCOHOL: A man is seen drinking out of a vial several times and says the liquid dulls the pain.

OTHER: The animals of Oz who haven’t been arrested yet decide to flee to the “land beyond Oz.” The place is a barren wasteland, but they would rather take their chances there than be subjugated and likely killed in Oz. The animals don’t trust Elphie, so they decide to leave.

The Wizard is a liar. He insists that there’s no point in coming clean about this fact, since the people of Oz will never believe it. (They want to be duped, he says.) But really, he likes his position of power and is unwilling to relinquish it.

Madame Morrible and the Wizard spread lies that Elphaba is a “Wicked Witch” and that “Glinda the Good” will save them. They convince the people that the witch is the cause of all their problems and that her death is the only thing that will make Oz whole again.

Though Glinda doesn’t believe the hype about Elphie, she’s more than willing to accept the nice things said about herself. As it turns out, all Glinda ever wanted is to be able to wield magic—but she wasn’t born with the ability. Her mother told her that magical ability isn’t important as long as people love you, a lesson Glinda has carried into adulthood. Her desire makes her vulnerable to the manipulations of Morrible and the Wizard, who orchestrate events to make it appear that Glinda can do magic—thus furthering their narrative that Glinda will save Oz.

Glinda betrays a friend, and it gets somebody killed. Sometime between the events of the first film and “For Good,” Elphaba and Nessa’s father died, making Nessa the new governor of Munchkinland. Nessa is furious with her sister for causing trouble in Oz. She insists that their father died of shame. And she blames Elphie for everything bad happening in Oz.

Because of this, Nessa has blindly signed every law pushed across her desk—laws that are discriminatory and cruel toward animal citizens—so that nobody will think she sympathizes with her sister. And when a Munchkin man breaks her heart, Nessa starts enacting these unfair laws against her own people too, hoping to trap the man in Munchkinland with her.

WOKEISM: There is a TON of woke content in this second installment, in fact throughout all of the first film and “For Good.” There’s a massive theme about animal rights/environmentism, social justice, inclusion, struggles faced by minority groups, racism, prejudice, political oppression, LGBTQIA+ themes (relationship of Elphaba and Glinda), performative activism, etc.

Themes and Morals

Elphaba is only seen as a monster due to the narrative Morrible and the Wizard have created.They convince the people of Oz that Elphaba must be destroyed, but in truth, Elphaba is the one who is trying to help the people of Oz, even those who want her dead and even her friends that turn their back on based on the lies of others.

Gossip only leads to more gossip. It spreads like wildfire and like a wildfire consumes everyone and everything in its path. Gossip destroys a person’s reputation and even their living circumstances at times. The only way to stop gossip is to not engage in it. When someone approaches you with a rumor, you can simply say, “Please don’t share any rumors about other people with me.” If everyone did that, there would be very little gossip in the world.

Jesus tells us to be apart from the world, and that includes not using the tongue for evil, only for righteousness. James says this…

“If anyone thinks he is religious and does not bridle his tongue but deceives his heart, this person’s religion is worthless.” —James 1:26

In Ephesians as well

“Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear.” —Ephesians 4:29

1 Thessalonians has this to say…

“…aspire to live quietly, and to mind your own affairs, and to work with your hands, as we instructed you.” —1 Thessalonians 4:11

Closing Thoughts

Having seen the stage musical a few times myself, and having listened to the soundtrack over and over again, I knew what to expect walking into an early premiere of “For Good.” My best friend that went with me did not.

And there lies the million dollar question, what are people, Christians and the like, walking into with a film like “Wicked: For Good.” In the stage musical, while witchcraft and chanting a couple spells is present, there is more focus on the characters, not the magic. In “For Good” the occultic practices have increased and far surpass the practices in the stage musical. Those who have never seen “Wicked” are left vulnerable, especially Christians who walk in with no knowledge—and that, itself, is terrifying.

While I acknowledge some creative choices had to be made, some made me ponder whether they were actually necessary? Did we have to have a suggestive sexual encounter between Elphaba and Fieryo? No. Did we have to draw out very small scenes with songs that don’t really stick? No. More importantly, did we have to make it SO dark that even at the end of the second film, maybe one person at most is changed for the better. Maybe.

In short, this film still has very strong performances from most, and the pacing is superior to the first installment. Still, the witchcraft has increased and that’s a major red flag. I do not recommend this film to Christian adults, children or families. Wait for something much less WICKED.

• Wokeism: Very Heavy
• Violence: Heavy
• Occult: Heavy
• Sex: Moderately Heavy
• Profane language: Mild
• Nudity: Mild
• Drugs/Alcohol: Minor
• Vulgar/Crude language: None

Be wise, every follower of Christ should avoid spiritual darkness and seek spiritual light

Learn about DISCERNMENT, wisdom in making personal entertainment decisions

Every time you buy a movie ticket or buy or rent a video you are in effect casting a vote telling Hollywood, “I’ll pay for that. That’s what I want.” Read our article

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