Today’s Prayer Focus

The Sea Inside

also known as “Mar adentro”
MPA Rating: PG-13-Rating (MPA) for intense depiction of mature thematic material.

Reviewed by: Jonathan Rodriguez

Moral Rating: Very Offensive
Moviemaking Quality:
Primary Audience: Adults
Genre: Drama
Length: 2 hr. 5 min.
Year of Release: 2005
USA Release: December 17th, 2004 (NYC/LA)
Copyright, Fine Line Features Copyright, Fine Line Features Copyright, Fine Line Features Copyright, Fine Line Features Copyright, Fine Line Features
Relevant Issues
Copyright, Fine Line Features

Suicide—What Does the Bible Say? Answer

If a Christian commits suicide, will they go to Heaven? Answer


Does God feel our pain? Answer

If God knows I am hurting, why doesn’t He help me? Answer

Why does God allow innocent people to suffer? Answer


Are there biblical examples of depression and how to deal with it? Answer

What should a Christian do if overwhelmed with depression? Answer


Are atheists and agnostics right? Answer

A skeptic asks: Why should any one have to accept ancient hearsay as evidence for the existence of a god? Answer

Does God really exist? How can we know? If God made everything, who made God? Answer

Where did life come from? Is evolution really the best scientific answer? Answer

What if the cosmos is all that there is? Answer


Is there an actual place called “Hell”? Answer

Will there literally be a burning fire in Hell? Answer

What should you be willing to do to stay out of Hell? Answer

How can a God of love send anybody to Hell? Answer

What if I don’t believe in Hell? Answer

The Good News—How to be saved from Hell

Am I good enough to go to Heaven? Answer


How do you know the Bible is true? Answer

What kind of world would you create? Answer


Are you going to Heaven? Answer


Who is the being of light encountered in near-death experiences? Answer


The issue of abortion—what does the Bible say?

Featuring Javier Bardem, Belen Rueda, Lola Dueñas, Mabel Rivera, Celso Bugallo
Director Alejandro Amenábar
Producer Fernando Bovaira, Alejandro Amenábar
Distributor Fine Line Features

Here’s what the distributor says about their film: “Based on the profoundly moving true story that captured the world’s attention, THE SEA INSIDE is about Spaniard Ramón Sampedro (played by Oscar® nominee Javier Bardem), who fought a 30-year campaign to win the right to end his life with dignity. THE SEA INSIDE is the story of Ramón’s relationships with two women: Julia (Belén Rueda) a lawyer who supports his cause, and Rosa (Lola Dueñas), a local woman who wants to convince him that life is worth living. Through the gift of his love, these two women are inspired to accomplish things they never previously thought possible. Despite his wish to die, Ramón taught everyone he encountered the meaning, value and preciousness of life. Though he could not move himself, he had an uncanny ability to move others. A truly joyous experience, THE SEA INSIDE celebrates the nature of freedom and love, and the mystery and beauty of life.”

This film was adapted from Ramon Sampedro’s book Letters From Hell.

“For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future” —Jeremiah 29:11

God has a way of waking people up; we sometimes get ahead of Him, and He is forced to intervene to get our attention. With non-believers, sometimes He uses the intervention as a wake-up call to change and to turn to Him. People (non-Christians) may be living great lives and have everything going for them, but are brought to their knees when everything falls apart around them. It is in these times that God is begging for their attention, for them to recognize their need for Him. God has plans for their lives and wants to use them greatly, but they first have to notice Him.

God knew that the moment Ramon Sampedro jumped off the rocks into the peaceful sea below he would never walk again, never live life the same way. “The Sea Inside” is Alejandro Amenabar’s (The Others) account of the struggles of Spaniard Ramon Sampedro to die “with dignity.” Ramon (Javier Bardem) was paralyzed in a diving accident. When we meet him, it has been almost 30 years since the accident, and Ramon has spent ever day of those thirty years lying helplessly in bed, at the mercies of his caring family. We learn right away that he has been searching for a lawyer so that he can attempt to be granted legal permission to end his life “with dignity.”

He is a confident man, who exudes genuine charm and warmth from the confines of his bed. Yet, he feels that his life has no dignity, no redemptive value, and wants the right to end it without being viewed in a shameful light by the rest of society. His lawyer is Julia (Belen Rueda), who takes his case for free because, we learn, she may understand his pain more than she lets on. She has an assistant, who ends up doing most of the legal work, while Julia and Ramon form a close relationship, even while Julia’s patient, caring husband waits at home. Another woman comes into Ramon’s life, Rosa (Lola Duenas), who sees Ramon plead his case on television and wants to be his friend, and convince him that life is worth living. She is a rather lonely woman who uses Ramon almost as her service project to somehow redeem her admittedly miserable existence. Ramon tells her that she is no friend of his if she does not respect his right to die.

Ramon comes across as a genuinely nice man, at first, but we learn he is really only that way to those who agree with him. His father and brother want nothing to do with Ramon’s case, because they don’t think he has the right to take his own life. They also seem somewhat exasperated after years of helping Ramon, who to them comes across as ungrateful for all they have done for him. Ramon’s father is the one character in the movie I sympathized with, and he delivers the most touching, heartfelt line of the movie. While the family and lawyers are sitting around the table discussing Ramon’s legal strategies, he says somberly, to no one in particular “You know what is the one thing worse than having your son die on you? Him wanting to.”

“The Sea Inside” is a technical success. Javier Bardem is stunning as Ramon. He spends the majority of the film in bed, and yet his real acting job is done with his eyes and facial expressions. We believe that Ramon is a charming man who could make a woman fall for him, because Bardem makes us believe it. The film is also shot beautifully, with the cameras swooping around the Spanish valleys and hills and water as Ramon flies “in his mind” to the beach, the place he loves.

The musical score is a bit too much, and tends to overemphasize some scenes by blaring its haunting dirge almost nonstop. It is a beautiful, don’t get me wrong, but it would have been best suited for scenes of special importance, not every five minutes.

The content of the film is very mild. There is very little language; I can only remember one subtitled “s” word. Sexual content is almost nonexistent, although Ramon does put his hand down Julia’s shirt, saying he is feeling her heartbeat. There is no violence, but there is the disturbing scene, played a couple times, of Ramon diving into the ocean and hitting the sandy floor. The PG-13 rating of this film is mainly due to the subject material, and Christians should be prepared for it before viewing.

I went into the film with an open mind, hoping the film would be more about him, and his life, than about his wish to die. But, the film makes its message very clear early on: people should have the right to do with their lives whatever they want, and anyone who thinks otherwise needs to mind their own business. Ramon got very little sympathy from me; his character is maddeningly smug, and seems to go about his business not to die with dignity, but almost to die with more attention.

There are some religious characters in the film, including a quadriplegic priest who tries to convince Ramon that life is worth living. However, they are seen as meddling, narrow-minded conservatives who run their lives on old-fashion mode.

I cannot recommend the film, not necessarily because of the message it delivered, but because of the way it went about doing it.

God had a plan for Ramon’s life, yet Ramon cared little for it. He made it clear he didn’t believe in God or an afterlife, and lived his last thirty years with an almost “woe is me” mindset. I have come across a number of quadriplegics in my life, and all have been Christians. They have exuded such warmth and happiness and love for life and God that I couldn’t help but feel sad for Ramon. He simply didn’t get it.

God has given us a life worth living, a life worth staying alive for. Things may not always go our way, and sometimes God may have to do something drastic to get our attention. But the joys we are in for, once God does finally get our attention, far outweigh the alternative, and we wish people like Ramon would just realize it before it’s too late.

See list of Relevant Issues—questions-and-answers.

Viewer CommentsSend your comments
Negative—In response to Hamlet’s query “To Be or Not to Be” the famous Christian writer G. K. Chesterton declared that “the answer is to be.” This year’s motion picture academy awarded its best picture and best foreign picture awards to films which answered the Dane’s soul search with a nihilistic “not to be.” This is the second year in a row (last years’ winner for best foreign film, “The Barbarian Invasions” was also a pro-euthanasia film) that the Oscar for Best Foreign Language Film has been given to a work that is an ode to active suicide and to assisted suicide. Such is progress.

“For when I am weak, then I am strong” (2 Corinthians 12:9).

The hero of “The Sea Inside” becomes quadriplegic after a diving accident. He lives for 27 years after the accident. That is an accomplishment in itself. He fulfills the lives of his family and friends. He writes a book. Perhaps he could write another.

Instead he chooses to commit suicide, and he enlists the help of a poor woman to mix the fatal drink for him. She is a pawn in the same way that all the characters in this story are pawns—pawns of a director who wants to make a point and to grind an axe.

Million Dollar Baby” falls apart when Clint Eastwood tries to present the other side of the argument. Hollowness presented in earnest is still hollow. “The Sea Inside” falls apart in the first frame. There is no argument, as we see when the quadriplegic priest enters the picture. I was educated by Jesuits, and despite flaws, they are not stupid and not easily silenced in an argument. Javier Bardem, one of our finest film actors, makes a mess of the character he plays. His handsome but uneven features are unable to put a believable face on human suffering.

Christopher Reeve and Michael J. Fox and John Paul II have given human suffering a human face, and they did not or have not shrunk from their challenges (crosses), even when some of us say, “I wouldn’t want to live like that.” “Million Dollar Baby” and “The Sea Inside” tell us that we can make a choice about whether we live or die. Of course we can, but these filmmakers lose their footing if they confront the meaning of that choice. Right now, these 2 films are fashionable, which means they are products of their times. I doubt that either will become a classic. If euthanasia and assisted suicide are not passing fashions, much more than the future of Hollywood is at stake.
My Ratings: Very Offensive/2½
Jim O’Neill, age 51
Movie Critics
…Humanist pro-Death propaganda… The filmmakers also lovingly promote Sampedro’s humanist views against the existence of God and the existence of an after-life.
Dr. Tom Snyder, Movieguide
…poignant portrait, notable for its restraint… nowhere near as depressing as a plot synopsis makes it sound…
Leah McLaren, Globe and Mail
…it’s such a repetitive and thinly constructed piece of filmmaking that the scope and complexity of Sampedro’s case are turned to porridge…
Wesley Morris, Boston Globe
…deftly uses death as a window on life, honestly examining what makes living worthwhile…
E! Online
…poignant… asks and answers… questions—not in a way that everyone may like, but with great compassion and empathy…
Michael Wilmington, Chicago Tribune