Reviewed by: B.R. Badger
CONTRIBUTOR
Moral Rating: | Offensive |
Moviemaking Quality: |
|
Primary Audience: | Adults |
Genre: | Mystery Suspense Psychological Thriller Drama Adaptation |
Length: | 1 hr. 42. min. |
Year of Release: | 2009 |
USA Release: |
February 20, 2009 DVD: March 3, 2009 |
Featuring | Tommy Lee Jones, John Goodman, Ned Beatty, Peter Sarsgaard, Kelly Macdonald, Mary Steenburgen, See all » |
Director |
Bertrand Tavernier |
Producer | Ithaca Pictures, Little Bear, TF1 International, See all » |
Distributor | Image Entertainment |
“No one can escape the sins of the past.”
The film’s tagline is “No one can escape the sins of the past.” That line is very misleading as to the substance of “In The Electric Mist.” It’s really a hard film to describe, not only because it is dull, but the sporadic plot that desperately wants to be taken seriously.
Plot: Let me just show you how muddled the plot is.
Detective Dave Robicheaux (Tommy Lee Jones) is investigating the death of a young woman, and the manner of death immediately brings Julie “Baby Feet” Balboni (John Goodman) under suspicion. But there is no way of pinning Balboni to the crime, though he was acquainted with the woman.
A film is in production, as well, and Robicheaux runs into drunken lead actor Elrod Sykes, in several instances. The drunkard cuts a deal with Robicheaux, that if he shows Dave where a skeleton is in a swamp, he can’t be charged with a DUI. Robicheaux takes the deal, under light of recent circumstances, and the discovery of the bones brings back memories from his own past.
The plot doesn’t really thicken from there, but rather just goes. This film plays like a TV episode, skipping around to different characters, interrogations and some character moments. After taking a drink of Dr. Pepper laced with LSD, Dave starts having hallucinations of talking with a dead Confederate general. After this point… I can’t find words to describe the mess. I don’t fully understand what was happening all the time, and, to be honest, what I did understand was underwhelming.
The Scoop: I am a huge fan of Tommy Lee Jones and John Goodman, as well; seeing them on the cast was the reason I picked up this DVD. Here, both actors seem bored, Jones especially appears to be asleep most of the time. It’s as if both actors knew the material wasn’t good, but what else were they going to do, give up an acting job?
“In the Electric Mist” is based on a novel by James Lee Burke entitled In The Electric Mist With The Confederate Dead. It is number six in a series of novels about Detective Dave Robicheaux. I haven’t read it, so I don’t know if the book was good or not, but I do know the film isn’t.
The only connection the tagline has to the film is loose, but it refers to ***SPOILER ALERT*** when Dave was seventeen and witnessed a murder in the swamp. That victim was the skeleton discovered by Elrod Sykes. The “sins” of the two murderers comes to light when Dave remembers just who they were. It is also explained that one of the killers is also responsible for the two murders of young women in New Orleans.
***END SPOILER***
Morally speaking, this film is offensive. Language consists of a handful of f-words, and plenty of sh*ts, d*mns and h*lls, all getting there turn in an appearance. The violence isn’t graphic, but it couldn’t make a PG-13. There is a peek at a woman’s hair and some unrecognizable substance in a barrel, and someone is shot on two occasions (several flashbacks depict the same act—this instance is bloodless).
Robicheaux enters Baby Feet’s trailer, where a woman is seductively pole-dancing. She leaves after Dave arrives.
On an interesting note, the version of the film here in the United States is apparently a Producer’s Cut, as the film was taken away from director Bertrand Tavernier in post-production. Europe received a restored Director’s Cut of the film, which runs at 114 minutes.
Though I greatly disliked this film and don’t recommend it to anyone, because it is dull and confusing (not to mention the worst “what in the world?” cop-out of an end I have ever witnessed, making an unwarranted supernatural connection just before credits roll), I do wonder if the Director’s Cut makes things more clear? Guess I’ll never know, but I really don’t care.
See list of Relevant Issues—questions-and-answers.
My Ratings: Moral rating: Average / Moviemaking quality: 3