Reviewed by: Brett Willis
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|Featuring||Jackie Chan … Passepartout/Lau Xing
Steve Coogan … Phileas Fogg
Jim Broadbent … Lord Kelvin
Arnold Schwarzenegger … Prince Hapi
Rob Schneider … San Francisco Hobo
Luke Wilson … Orville Wright
Owen Wilson … Wilbur Wright
John CleeseJohn Cleese … Grizzled Sergeant
Kathy Bates … Queen Victoria
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|Director||Frank Coraci—“Click,” “The Zookeeper,” “The Waterboy,” “The Wedding Singer”|
|Producer||Walden Media—“The Lion, The Witch and The Wardrobe,” “Holes,” “I Am David,”
Bill Badalato—“Men of Honor,” “Mafia!”, “Alien Resurrection,” “Broken Arrow”
|Distributor||Walt Disney Pictures|
I’m not sure what Jules Verne would think of this newest rendition of his forward-looking Sci-Fi novel. It plays fast and loose with history and it departs radically from the original story, although there are hidden tricks whereby it’s sometimes closer to the original than we at first assume. It’s nothing like the 1956 Best Picture Oscar-winner or any other film adaptation. It’s a modern comedy-satire, built around poking fun at everything it can and nibbling at the edges of its PG rating.
In this version, the valet Passepartout (Jackie Chan) is the first-billed and lead character, rather than his master Phineas Fogg (Steve Coogan). How Chan comes to have a French name and identity is one of many humorous twists. And when Detective Fixx chases Fogg and Passepartout on the suspicion that they’re connected to the Bank of England robbery, he’s CORRECT this time. But since Passepartout, otherwise known as Lau Xing, was only stealing back a jade Buddha that was stolen from his village by Lord Kelvin (Jim Broadbent) and a female warrior named General Fang (Karen Mok, billed as Karen Joy Morris), Passepartout isn’t the bad guy. Except that he manipulates Fogg into the around-the-world trip, as a means of escaping the authorities and of delivering the Buddha back to his people. And instead of a widow from India, Fogg’s love interest is the French would-be impressionist painter Monique La Roche (Cécile De France). She too practices some deceit, as do many other characters.
The violence is heavy, but comedic in tone. Chan engages in fantastically-coreographed Martial Arts fights with many bad guys. But don’t think of these fights in Bruce Lee or Chuck Norris terms. Three Stooges would be more like it. The fights contain crotch and buttock violence, bloodless stabbings, and lots of sight gags. But no one is killed anywhere in the film.
There are sprinkles of mild profanity like d* and h* and various low-grade insults. Some mild cleavage, Middle Eastern girls in belly-dancing outfits, and some sexually suggestive situations and offhand references (including gay and cross-dressing jokes). Much of this material should go over the heads of younger children. Arnold Schwarzenegger has a cameo as a Turkish prince who tries to make Monique his seventh wife. “I have one for each day of the week. Does Tuesday work for you?”
The use of alcohol is shown several times, with Fogg becoming falling-down drunk on a couple of occasions. Smoking is shown a few times. We occasionally hear some gunshots in the background. There are thieves, pickpockets and other unsavory characters all along the trip.
I don’t particularly care for the practice of making fun of historical figures. The Wright Brothers (Owen Wilson and Luke Wilson) are shown as buffoonish, and the scientist Lord Kelvin is made an extremely nasty one-dimensional villain. The rights against invasion of privacy and against defamation of character are “personal” rights, meaning that they don’t survive the person. Legally, you can say almost anything you want about a deceased person. But that doesn’t mean it’s appropriate. (Kelvin is also shown as an anti-Evolutionist and as resistant to change, therefore casting those positions in a negative light.)
There’s some positive content along the lines of never giving up (Fogg) and of being loyal (both Passepartout and Monique “make up” for their deception of Fogg by voluntarily helping him out on the later legs of his journey, even when he says he doesn’t want their help).
The days when families could hop into the car for a fun night of seeing most any movie that was playing are, of course, long gone. To avoid being grossed out, you have to be very choosy. While far from perfect, this film is probably one of the “least bad” choices of the summer for a family outing.
Violence: Heavy / Profanity: Minor / Sex/Nudity: Mild
Here’s what the distributor says about their film: $110 million budget / “In this highly inventive take on Verne’s classic, Passepartout (Chan) must make it to China in order to return a valuable jade Buddha that was stolen from his family’s village. He seeks refuge with an eccentric London inventor, Phineas Fogg (Coogan), who puts his reputation, fortune, and career on the line in a daring bet to make it around the world in eighty days. Joining them is Monique (De France), a young French artist who decides that a trip around the world would provide new inspiration.
Opposing the group is Lord Kelvin (Broadbent), who’s wagered his position as head of the Royal Academy of Science against their journey’s success. Their incredible adventure spans many colorful and exotic lands from historic London to Paris, Turkey, India, China, across the Great Seas, to a burgeoning United States, and more. Along the way, the group encounters an eclectic assortment of characters including Queen Victoria (Bates), a Scotland Yard Sergeant (Cleese), a hot air balloon engineer (Branson), a Turkish Prince (Schwarzenegger), an eccentric inventor (Schneider), the Wright Brothers (Owen and Luke Wilson), and many other international star cameos.”
There are some historical inaccuracies in the film. I doubt every Chinese individual in the late 19th century were skilled individuals in Kung Fu. And having read up on Queen Victoria, I doubt she would’ve approved of Mr. Fogg’s inventions because she disliked the new technology of the era (she preferred to hand-write her letters instead of using a typewriter). Still, the history was done right.
India and most of the Asian nations mentioned were indicated as British colonies, which they were during the end of the 19th century (as the old saying goes, “The sun never sets on the British Empire.”). There was a minor (if not obscure) reference to Irish and British citizenship in the film (during this time, Irish citizens of Ulster were adamantly against British rule). Otherwise, everything seems to be okay. There was some blue humor here and there but it doesn’t dominate the film.
The movie has important issues in the film such as never give up and always persue your dreams in life.
My Ratings: [Better than Average/3]