Reviewed by: Daniel Thompson
CONTRIBUTOR
Moral Rating: | Very Offensive |
Moviemaking Quality: |
|
Primary Audience: | Adults |
Genre: | Action Drama |
Length: | 2 hr. 5 min. |
Year of Release: | 2008 |
USA Release: |
December 12, 2008 (LA/NYC) December 19, 2008 (Chicago/San Francisco/Toronto) December 25, 2008 (expanded) January 9, 2009 (wide—2,300 theaters) |
What are the consequences of racial prejudice and false beliefs about the origin of races? Answer
How can I be and feel forgiven? Answer
If God forgives me every time I ask, why do I still feel so guilty? Answer
Why does God allow innocent people to suffer? Answer
What kind of world would you create? Answer
What about the issue of suffering? Doesn’t this prove that there is no God and that we are on our own? Answer
Does God feel our pain? Answer
The Origin of bad—How did bad things come about? Answer
Featuring | Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her, Brian Haley, Geraldine Hughes, Dreama Walker, Brian Howe, John Carroll Lynch, William Hill, Brooke Chia Thao, Chee Thao, Choua Kue, Scott Eastwood, Xia Soua Chang, Sonny Vue, Doua Moua, Greg Trzaskoma, John Johns, Davis Gloff, Tom Mahard, Cory Hardrict, Nana Gbewonyo, Arthur Cartwright, Austin Douglas Smith, Conor Liam Callaghan, Michael E. Kurowski, Julia Ho, Maykao K. Lytongpao, Carlos Guadarrama, Andrew Tamez-Hull, Ramon Camacho, Antonio Mireles, Ia Vue Yang, Zoua Kue, Elvis Thao, Jerry Lee, Lee Mong Vang, Tru Hang, Alice Lor, Tong Pao Kue, Douacha Ly, Parng D. Yarng, Nelly Yang Sao Yia, Marty Bufalini, My-Ishia Cason-Brown, Clint Ward, Stephen Kue, Rochelle Winter, Claudia Rodgers, Vincent Bonasso |
Director |
Clint Eastwood |
Producer | Double Nickel Entertainment, Gerber Pictures, Malpaso Productions, Media Magik Entertainment, Village Roadshow Pictures, Warner Bros., Clint Eastwood, Bill Gerber, Jenette Kahn, Robert Lorenz, Tim Moore, Adam Richman |
Distributor |
Warner Bros. Pictures, a Warner Bros. Entertainment Company |
I can remember vividly a time as a young kid when I was riding to lunch with my grandfather in the small town of Camden, South Carolina, and getting pulled over by the police. As the police started coming to the car, I was scared to death. But as I looked over at my grandfather, he just smiled as he spit his chewing tobacco out the window. It turned out that we weren’t in trouble, but the police officer wanted to purchase my grandfather’s 1974 Ford Ranchero Squire. Not only was the car my grandfather’s prized possession, but it was also a good portrayal of him: tough as nails, strong as an ox, and one of a kind.
Similar to my grandfather is Walt Kowalski (Clint Eastwood), the main character in “Gran Torino.” Walt’s a tobacco chewing, chain-smoking Korean War vet and a no nonsense kind of guy. His pride and joy is a 1972 Ford Gran Torino. He doesn’t do well with change, including the changes his neighborhood is going through. What used to be a white suburban Michigan neighborhood is now one filled with multi-racial gang wars and a predominantly Asian community. Walt is too stubborn to move, and now that his wife is gone, it’s just him and his dog Daisy, left to sit on the porch, drink beer, and grumble under his breath about his neighbors.
Things change, however, when Walt catches someone trying to steal his Gran Torino. That someone is next door neighbor Thao, a teenage boy who’s being initiated into a gang. It’s through this incident that Walt finally connects with those in his neighborhood. Walt takes it upon himself to keep Thao out of the gang and out of trouble. An unlikely friendship begins to develop between Thao and Walt.
From that friendship comes an inspiring, redemptive, sometimes funny, and heartfelt film by Clint Eastwood. The film chronicles a man realizing the mistakes he’s made in his life and finding his way to come to terms with them and accept forgiveness. It also does a great job of showing to viewers who didn’t grow up with a grandfather, like mine, a realistic portrayal of the generation of Walt Kowalski: hard working, good hearted, but rough around the edges.
There are many great qualities and teachable moments in “Gran Torin,o” but it does come with a price. The film is rated “R,” mainly for its very strong language, as well as some violence. There are over 100 profanities in the film, and while that is clearly a lot, it’s founded in realism. The majority of the language comes from the various gangs in the neighborhood, as well as Walt himself. Along with the profanities, one of the central themes of the film is racism. Racial slurs come flying out of Walt’s mouth all movie long, and while this isn’t appropriate, the film does put into context that Walt uses these slurs just as much with his friends (his barber) as he does with people he doesn’t like. It’s seen more of as a generational gap than anything overly mean-spirited. It’s also the way that Walt keeps others at arms distance, and once the neighborhood realizes this, they ignore the comments and befriend him anyway.
Because of my relationship with my grandfather, this movie really hit home for me, and it will definitely do the same for those with similar experiences growing up. Clint Eastwood has made a film that is sometimes hard to watch. It’s rough, realistic, but ultimately redemptive. Just like my grandfather, the lead character, and the car itself, “Gran Torino” is tough as nails, strong as an ox, and one of a kind.
Violence: Heavy / Profanity: Extreme / Sex/Nudity: Mild
What are the consequences of racial prejudice and false beliefs about the origin of races? Answer
Get biblical answers to racial hot-topics. Where did the races come from? How did skin color come about? Why is it important to have a biblical foundation for such issues? Go
See list of Relevant Issues—questions-and-answers.
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My Ratings: Moral rating: Offensive / Moviemaking quality: 4½