Today’s Prayer Focus

The Godfather

also known as “Mario Puzo’s The Godfather,” “Godfather,” “Gudfadern,” “O Padrinho,” “El padrino,” See more »

Reviewed by: Owen Batstone

Moral Rating: Offensive
Moviemaking Quality:
Primary Audience: Adults
Genre: Crime Gangster Drama
Length: 2 hr. 55 min.
Year of Release: 1972
USA Release: March 24, 1972
Copyright, Paramount Pictures Copyright, Paramount Pictures Copyright, Paramount Pictures Copyright, Paramount Pictures Copyright, Paramount Pictures
Relevant Issues
Copyright, Paramount Pictures

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About murder

About death



About the Ten Commandments of the Bible

Have you kept each of the Ten Commandments? Are you good enough to go to Heaven? Answer

FILM VIOLENCE—How does viewing violence in movies affect families? Answer

Featuring Marlon BrandoDon Vito Corleone
Al PacinoMichael Corleone
James CaanSantino “Sonny” Corleone
Diane KeatonKay Adams
Robert DuvallTom Hagen
Richard S. Castellano … Peter Clemenza
Sterling Hayden… Capt. McCluskey
John Marley … Jack Woltz
Richard Conte … Don Emilio Barzini
Al Lettieri … Virgil “The Turk” Sollozzo
See all »
Director Francis Ford Coppola
Producer Paramount Pictures
Alfran Productions
Francis Ford Coppola
Distributor: Paramount Pictures Corporation. Trademark logo.
Paramount Pictures Corporation
, a subsidiary of ViacomCBS

“An offer you can’t refuse.”

Sequel: “The Godfather: Part III” (1990)

This film attracts a world-wide, almost cult-like following, with its depth, design and artistic boldness that has shined from the moment of its release, right through to present day. I will review the film from a particular angle: The broad-way slide to destruction.

“Let not sin therefore reign in your mortal body, that ye should obey it in the lusts thereof.” —Romans 6:12

“The Godfather” Part I is beautifully directed and methodically scripted. The antithesis of its gentle filming approach weaved in the explosive and gripping content, is the head of the hammer that hit 70’s cinema hard.

The film exclusively follows the lives and events of the Corleone Family—a mid-twentieth century mafia clique in New York. Audiences are magnetically drawn to every aspect of their day-to-day struggles. Formed by Vito Corleone (Marlon Brando), this dysfunctional family has everything the gangster genre asks for. Olive-oiled hair, Italian accents, riches, power, weapons, women, cars, catch-phrases and charisma—we see it all.

From the moment the notoriously chilling “Nino-Rota” soundtrack strikes, audiences are seduced to the screen from start to finish. The narrative takes nearly three hours to unfold, yet with its depth, desires to end are rarely heard.

The adult certificate would be laughed at by today’s standards, but we must remain theologically based, and with a significant handful of verbal profanities, two mild-sexual references, and numerous counts of often graphic murders—take heed. The mafia life always entails temporary highs and pompous riches built off a foundation of lies, deception, violence, lusts and treachery.

With their religious jewelry, rituals and recitals, these men have a “form of godliness, but deny its power thereof” 2 Timothy 3:5.

Playing god-like roles themselves, they freely take lives and break all of God’s commandments with bitterness and hatred. The mafia system has a hierarchy of human importance—with the Godfather sitting at the throne; however, in Romans 3:10 we are told,

“There is none righteous, no, not one”.

Worth noting is the slip into corruption by the lead character Michael Corleone (Al Pacino) and the parallels it connotes to the Christian walk. Michael begins the film vowing to fiancée Kay Adams (Diane Keaton), that he would never join his family lifestyle. He tries to stand alone, but unarmoured, finds himself in frequent compromising situations. Christians are told to fight the battle of Christ equipped with the armour of God (Eph. 6:13), lest we slip away. Michael slowly begins to peer into the gangster world from what he feels is a safe distance, like Lot in Genesis 13:12 who, “pitched his tent towards Sodom.” This is a dangerous approach, and in this film has obvious repercussions.

Christians and seekers, we must be on guard, to avoid the whirlpool of sin and be sure to ruthlessly cut it away. As the Godfather unravels, Michael’s takes some obvious lunges into sin, and his journey becomes deeper and darker, entering a dangerous area of a silenced conscience. Christians,

“Take heed, watch and pray—lest we fall into temptation, the spirit is willing but the flesh is weak”.

“The Godfather” is fictionally entertaining—not a gentle meal to digest, but hosts relevant connotations to any living soul. It remains a definitive and interesting cinematic giant.

See list of Relevant Issues—questions-and-answers.

Viewer CommentsSend your comments
Positive—PROS: To begin, the music is excellent, the cinematography is legendary from the opening shot to the final frame and even through the end credits. It is also well written and directed, and perfectly acted. Each shot and scene are meticulously constructed, like the shroud Penelope wove for Odysseus. Coppola and Puzo conveyed strong messages with the way several scenes were lit. The story draws you in the moment Nino Rota’s score begins playing, and does not relax its iron grip until the end credits finish. There is also massive character development. While the running time is a few minutes shy of three hours, it never feels long because like “The Birth Of A Nation,” and “Gone With The Wind” (to name a few), the screenplay flows smoothly.

CONS: (Mario Puzo’s The Godfather): My only cavillation with this masterpiece is the blasphemy. That is the only fly in this vat of rich oil. The graphic violence, profanity in English and unsubtitled Italian, and brief upper female nudity do not bother me.
My Ratings: Moral rating: Average / Moviemaking quality: 5
D, age 36 (USA)
Neutral—Though “The Godfather” does indeed possess great merit, it should be noted that it firmly deserves its R-rating. The violence that is present is graphic, and the artistry gives it a more disturbing feel than most films. There are also a couple of sex scenes, one involving female breast nudity. A masterpiece in every way except for being acceptable to Philippians 4:8 standards. Take caution.
My Ratings: Average / 5
Michael Jean-Baptiste, age 22
Comments from young people
Positive—“The Godfather” is one of my all time favorites. You have an excellent mixture of a great script, Great acting, and a great depiction of total moral downfall. The content that most offended me was God’s name being taken in vain, however it was done by people who you would probably expect it from. See “The Godfather,” if you can handle it, I can’t speak for everyone.
My Ratings: Moral rating: Average / Moviemaking quality: 5
Michael, age 17 (USA)
Positive—As with any movie I watch, I view for the sake of entertainment. That’s not to say I take extreme liberties and watch filth. Quite the contrary. Recall Paul’s take in 1 Corinthians 6:12: “All things are lawful unto me, but all things are not expedient: all things are lawful for me, but I will not be brought under the power of any.” These days I do exercise caution; I want to be mindful of what I allow myself to view. After all, as Paul points out later in the same chapter, “…know ye not that your body is the temple of the Holy Ghost which is in you, which ye have of God, and ye are not your own?” It’s important to be aware of what we’re feeding our spirits. Obviously, if we allow sex, violence, etc. to inundate our lives through TV and other various mediums, we’re going to be affected by it.

As a result, I tend to research movies (oftentimes via before watching them, at least nowadays that’s the case. I want to make sure I’m not about to spend two hours of my life wading through a deluge of God’s name being used in vain. Going along these lines, with the movies I do watch, I make sure I watch for the sole purpose of being entertained. I don’t try to extract spiritual meaning or depth from EVERY little nook and cranny. I know some people get so wrapped up trying to uncover religious symbolism in every little pithy detail that in the process they lose sight of the movie. That is, they lose any sense of joy they might have otherwise had while watching the film. They walk away from the movie feeling disappointed. Why? Because their expectations and high demands were inadvertently unanswered.See all »