Moral Rating: | Not Recommended |
Moviemaking Quality: |
|
Primary Audience: | Adults |
Genre: | Suspense Thriller Drama Adaptation |
Length: | 1 hr. 43 min. |
Year of Release: | 2010 |
USA Release: |
September 1, 2010 DVD: December 28, 2010 |
Featuring | Bruce Altman (Larry), George Clooney (Jack / Edward), Irina Björklund (Ingrid), Lars Hjelm (Hunter #1), Johan Leysen (Pavel), Paolo Bonacelli (Father Benedetto), See all » |
Director |
Anton Corbijn |
Producer | Focus Features, Greenlit Rights, Smoke House, This Is That Productions, George Clooney, See all » |
Distributor |
Here’s what the distributor says about their film: “Academy Award winner George Clooney stars in the title role of this suspense thriller, filmed on location in Italy. Alone among assassins, Jack (played by Mr. Clooney) is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Larry (Bruce Altman) that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde (Thekla Reuten of “In Bruges”), is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto (Italian stage and screen veteran Paolo Bonacelli) and pursues romance with local woman Clara (Italian leading lady Violante Placido). But by stepping out of the shadows, Jack may be tempting fate.”
This film is an adaptation of A Very Private Gentleman by Martin Booth.
Violence: Extreme / Profanity: Heavy (2 f-words) / Sex/Nudity: Extreme
See list of Relevant Issues—questions-and-answers.
none
In all seriousness, leave the kiddies out. Obviously you wanna farm Tommy and Susie out on account of the preceding charges, but also on the basis of the film’s intended audience: OLD PEOPLE. That’s right. Adults, and I don’t mean kids born before Sept 4, 1989. I mean your kids of the 70’s and before. Even they won’t likely make it through this without nodding off.
Personally I like the pacing; it’s artistic and it works in this movie. It sorta underscores a silent tension that starts from the first scene and doesn’t let up 'til the credits roll, but then again I’m a liberal artsy fartsy movie geek. You may think “The Expendables” is deeper than the two-pence wisdom dispensed on the backs of Captain Crunch boxes, or you may think the choppy, skull-crushing speed and shaky camerawork of (most) action movies these days is the golden ticket to fun and adventure. You may think. If that is INDEED you, I can’t help ya on this, other than to recommend avoidance.
“The American” goes for very placid development. Long shots. None of this migraine-inducing, can’t-see-a-darn-thing, split-second snippets. No sir. You get to take in everything in its entirety. No rush.
My Ratings: Moral rating: Offensive / Moviemaking quality: 3½